Bursts of kaleidoscopic synthpop, soul balladry and jazz sweep you through the latest offering in the artist’s eclectic, controversial and – against the odds – enduring career
Arranged by Four Tet, the producer’s stunning album is poignant and sincere, combining beats, jazz, reggae toasts and vocal snippets into a kind of folklore
Moses Sumney’s arresting debut, Aromanticism (2017), introduced a soaring new voice, and an artist keen to resist habitual assumptions about love and genre. This first instalment of a follow-up double album finds this erstwhile poet and US star-in-waiting interrogating grey … Continue reading →