Così Fan Tutte review – witty circus staging has its tongue firmly in its cheek

Phelim McDermott’s 2014 production addresses the cynicism, cruelty and outdated sexual politics of Mozart’s opera with humour and sass; a strong cast make this an enjoyable evening

Mozart’s Women: A Musical Journey review – Lauren Laverne helms an insight-free night that goes out with a bang

Coliseum, LondonIf you wanted to learn about the composer’s female influences, you would have been disappointed – but the arias eventually built to an electric climax

Mozart: Six String Quintets album review – deep understanding of these under-appreciated works

Spunicunifait (their name taken from a nonsense word used by Mozart) perform these six quintets with flexibility and easy athleticism

La Clemenza di Tito review – Emelyanychev and SCO spark magic with enthralling Mozart

With a luxury cast bringing anguish, believability and vocal perfection to Mozart’s opera of love and divided loyalty, this concert performance was flawless

Chloe Chua: Mozart Violin Concertos album review – teenage prodigy’s interpretations are balanced and mature

The Singaporean violinist plays Mozart with a clean focused tone, an elegant turn of phrase and a quiet wit.

Mozart: Serenades; Gran Partita review – bright tones and period-instrument agility

The Gran Partita is a supreme instrumental masterpiece and Baldeyrou and his ensemble do it full justice in this first disc of a Mozart series

The Marriage of Figaro review – WNO’s staging has punch and plenty to savour

The 2016 production – revived by Max Hoehn – emphasises the farcical rather than subversive aspects of Mozart’s opera. It took a while to settle down, with conductor Kerem Hasan setting a frenetic pace

The Marriage of Figaro review – revival sparkles with young cast

David McVicar’s detailed staging of Mozart’s comedy opens Covent Garden’s new season, with conductor Julia Jones bringing energy and drive and Ying Fang, making her house debut, as an exquisite Susanna

The week in classical: Giulio Cesare; Così fan tutte; Siegfried/Götterdämmerung – review

There is much fun and an excellent cast in David McVicar’s sparkling Handel revival; Mozart’s partner-swap opera soars with exuberant solos; and Wagner’s Ring marathon reaches a roaring climax

Mozart: Piano Concs K238 and 503 album review – cool precision from Kristian Bezuidenhout on a period fortepiano

Freiburg Baroque Orch.(Harmonia Mundi)

Mozart Piano Quartets review – rising soloists combine elegance and eloquence

Violinist Francesca Dego, violist Timothy Ridout, cellist Laura van der Heijden and pianist Federico Colli combine character and grace in Mozart’s innovative quartets

Don Giovanni review – obsession, distress and danger in uneven new production

Mariame Clément’s thoughtful staging brings depth and insights but feels, at times, at odds with the score’s sensuality and demonic fire. In the pit, conductor Evan Rogister favours speed over dramatic weight.

OAE/Bezuidenhout review – on an exemplary Mozart journey

With Kristian Bezuidenhout conducting from the fortepiano, this was a genial celebration of three works written in the year 1784

The Magic Flute review – WNO’s hectic new version is a lightsaber too far

Daisy Evans’ psychedelic and frantic modern reworking dodges the original’s problems, but loses much of Mozart’s magic and energy in the process – and the flute itself

The Magic Flute review – well-behaved revival needs more of Mozart’s anarchic spirit

There are strong performances, particularly from Gyula Orendt’s Papageno and Sarah Dufresne’s Papagena, but the fun is damped down in David McVicar’s 2003 staging that imposes coherence on the pantomimic plot