Hytner’s sunny, unironic staging of Mozart’s problematic comedy – about to tour for a final time – is one of the most intelligent and insightful around
With violin playing so crisp you could dip it in sour cream and onion and hand it round at a party, this is an assured debut from Ji Young Lim. And yet even as the notes spring from her bow, … Continue reading →
It seems to get ever harder to persuade Piotr Anderszewski into a recording studio. His new discs are increasingly rare events – the previous one, containing three of Bach’s English Suites, appeared in 2014, and the Mozart works here date … Continue reading →
Even by Mozart’s standards, La Clemenza di Tito was composed in haste, commissioned for the celebrations in Prague marking the coronation of Leopold II as king of Bohemia in September 1791. The opera seria libretto was adapted from a well-used … Continue reading →
Jones’s new staging for English National Opera delivers clever insights and a shock twist but ducks the opera’s complexities and, at points, flies in the face of the music’s logic
Winners of the Wigmore Hall’s prestigious string quartet competition last year, the young French ensemble Quatuor Van Kuijk are currently BBC New Generation Artists, so UK audiences can expect to hear a lot more of them. Their debut recording doesn’t … Continue reading →