Mozart: Violin Concertos 1 & 5, Sinfonia Concertante CD review – Vilde Frang shines
Brilliant young Norwegian violinist Vilde Frang leads a feast of Mozart
Hallé Orchestra/Elder review – stirring and expressive
Colston Hall, BristolThe Manchester orchestra’s trip south delivers Mozart, Mendelssohn and Elgar in the expressive hands of Sir Mark Elder
1765: A Retrospective review – why we’re still mad about the young Mozart
A tribute to Mozart’s year in London as a child shed light on the composer’s uncanny genius, says Ed Vulliamy
Mozart, Haydn: Jeunehomme review – Alexandre Tharaud on exhilarating form
The French pianist takes Mozart’s “Jeunehomme” concerto and runs with it, writes Fiona Maddocks
Mozart: Così fan Tutte review – Currentzis’s take is wilful but fresh
The playing is wonderfully alive, and it’s well worth hearing –even if you won’t want to hear it that often, writes Andrew Clements
Idomeneo; Equal Voices – review
Martin Kušej’s new Idomeneo caused a storm at Covent Garden, but something about it worked for Fiona Maddocks
Idomeneo review – early Mozart as confusing study of regime change
The modern police state backdrop sits oddly in Martin Kušej’s new production, provoking mostly puzzlement. And what is the shark about? asks Andrew Clements
Mozart, Schubert, Stravinsky: Piano Duos CD review – dizzy heights from two of the world’s greatest
Martha Argerich and Daniel Barenboim in a joint rectial? Yes, it’s pretty good, writes Nicholas Kenyon
Mozart: Requiem review – superb soloists in a resonant acoustic
Sandrine Piau, Bernarda Fink, Werner Güra and Christopher Purves are the dream team on this ringing recording, writes Nicholas Kenyon
Mozart: Arias CD review – Sandrine Piau is wonderfully stylish
In this sequel to her first collection of arias devoted to Mozart 12 years ago, Piau demonstrates she is a very fine, intelligent artist, writes Andrew Clements
Prom 23: BBCSSO/NYCoS/Runnicles review – clarity and momentum
The NYCoS brought vibrancy to Mozart's Requiem, and Donald Runnicles and the BBCSSO generated momentum and dancing colours in John McLeod and Beethoven, writes Erica Jeal
Mozart Piano Concertos Nos 18 in B flat, K456, & 19 in F, K459 review – some truly miraculous playing
Mitsuko Uchida shows a striking ability to draw out Mozart's originality, writes Nicholas Kenyon
Mozart: The Last Symphonies review – a thrilling journey through a tantalising new theory
Nikolaus Harnoncourt's ideas raise questions they can't always answer but Concentus Musicus handle them with aplomb, writes Andrew Clements
Così fan tutte review – Phelim McDermott’s fairground delights soon wear thin
Everything comes with a nod or wink. A less affecting Così is hard to imagine, writes Kate Kellaway
Mozart: The Last Three Symphonies – big drama, delightful detail from Brüggen
Frans Brüggen and the orchestra have lost none of their characteristic vigour or intensity, writes Andrew Clements