Mozart: Piano Concertos K415, 456, 466 and 482 – review
Collins conducts from the keyboard, producing light textures and an exemplary sense of style, says Andrew Clements
Handel/Mozart/Mosel: Timotheus oder Die Gewalt der Musik – review
Half of Vienna, and Nicholas Kenyon, contribute to an extraordinary live recording conducted by Nikolaus Harnoncourt
Mozart; Bruckner: Symphony No 41, ‘Jupiter’; Symphony No 7 – review
An electrifying evening in London is perfectly preserved in this 1962 recording of Herbert von Karajan and the Vienna Philharmonic, writes Stephen Pritchard
Mozart: Requiem Realisations – review
The Choir of King's College, Cambridge presents an impressively in-depth account of Mozart's Requiem, complete with audio documentary and iTunes film, writes Stephen Pritchard
Mozart, Gluck, Grétry: Amoretti – review
Arcangelo and soprano Christiane Karg's collection of love arias is subtly assembled and boasts the odd revelation, writes Nicholas Kenyon
Mozart: Piano Concertos 13 & 14 – review
Canadian pianist Janina Fialkowska and co cast these chamber works in a new light, writes Stephen Pritchard
Orchestra of the Age of Enlightenment/Rattle – review
Thirty years ago, a concert consisting of the last three symphonies of Mozart would have been bog-standard fare. Trust Rattle to have spotted the gap, writes Martin Kettle
Mozart: Piano Concertos Nos 23 & 25 – review
Buchbinder, Harnoncourt and Concentus Musicus Wien are a dream team, writes Nicholas Kenyon
Mozart: Don Giovanni Juan – DVD review
Christopher Maltman is sensational as the artist-pornographer Juan in Kasper Holten's film version of Don Giovanni, writes Tim Ashley
Mozart: Pieces for Two Fortepianos – review
Four dynamic hands make light work of Mozart, writes Nicholas Kenyon
Bath MozartFest – review
The opening weekend's concerts saw the Gabrielis pay fitting homage to St Cecilia, and Erich Höbarth and Susan Tomes do justice to Mozart's sonatas, writes Rian Evans
The Magic Flute – review
ENO's final revival of Nicholas Hytner's staging sends this enchanting, balanced and entertaining opera out on a high note, writes George Hall
Mozart: Piano Concertos No 9, K271 and No 21, K467 – review
Mitsuko Uchida and the Cleveland are a dream team, writes Fiona Maddocks
Mozart: Le Nozze di Figaro – review
Herbert van Karajan's performance of Le Nozze di Figaro on his return to Vienna was a typically starry one, writes Andrew Clements
William Berger: Insomnia – review
An idiosyncratic but very fine debut album that depicts a sleepless night in the life of a man separated from his mistress, writes Tim Ashley