Black Swan was intended to be the Triffids' White Album. As is the often the way with such things, it wasn't - though the band's leader, the late David McComb, certainly had no shortage of ideas on how acoustic and electronic music could be put together. (Too many ideas, in fact: half of this could be painlessly dropped.) As cousins of The The and Lloyd Cole's sweepingly dramatic, lyrical, 1980s indie-rock, the Triffids are placed neatly between Orange Juice's shorts'n'sandals romanticism and pin-sharp 2008 indie-pop such as the Elephants. But they're also capable of producing some wonderfully strange music. Good Fortune Rose has a beautiful vocal from the band's keyboard player, Jill Burt; a rather charming banjo part; New Order melodies; and Run-DMC kick-drums - a sadly rare occurrence in pop. Fairytale Love invents Tindersticks, and The Spinning Top Song throbs like Yello. Falling Over You even features a rap. In 1989, it seems, anything was possible.