John Fordham 

Alex Wilson: Salsa Con Soul

Wilson not only knows and loves Latin jazz, he knows branches of it that rarely make it to the mainstream
  
  


Courtney Pine didn't really give his superb pianist, Alex Wilson, enough of a chance to cut loose on his recent London jazz festival performance. But Wilson doesn't even let himself go in his own bands; he has a sweeping musical awareness and formidable technique, but prefers to subject himself to the discipline of an irresistibly warm modern dance-band sound. Wilson not only knows and loves Latin jazz, he knows branches of it that rarely make it to the mainstream. His sixth album finds him with a 12-piece band, including several singers, that splices music from Cuba, Colombia, the US and Europe - but with a good deal more soul and gospel in the vocals than usual. Wilson has a knack for making pop music from different cultures sound as if it was meant to be Latin dance tunes all along; he demonstrates this with his usual panache on Al Green's Let's Stay Together and Randy Crawford's Rio De Janeiro Blue, which becomes a coolly grooving vehicle for the soul/R&B vocalist Aquilla Fearon. It's not really a jazz album, despite the volcanic chording and tumbling piano virtuosity Wilson displays. But the band is as tight as a drumhead and, with the party season coming up, it's a hot contender.

 

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