Following collaborations with the ­Danish National Chamber Orchestra and the Britten Sinfonia, ­Copenhagen's principal indie-electronica-classical experimentalists have taken a ­relatively reined-in approach for their third ­album, and first for 4AD. The ­orchestras, overdubs, choirs and weird sounds ­remain, but the ­classical ­instrumentation is allied to song ­structures that are much closer to a conventional indie pop band. Anyone who enjoyed Elbow being backed by the Hallé Orchestra last year will find much to love here. It's emotional music, full of subtle ­tension and lurking drama. I Was ­Playing Drums has a heartbreaking melody (curiously reminiscent of Cliff Richard's Theme for a Dream); Full Moon could be a more orchestrated Blue Nile or Talk Talk, but not all their tunes are as effective and can ­stumble into the divide between pop and ­experimental. ­Nothing quite matches ­triumphant opener Modern Drift, in which a Philip Glass-style ­repetitive ­piano, kettle drums and Casper Clausen's huge, ­impassioned ­delivery combine to make one of the new year's must-hear tracks.