Andrew Clements 

Brahms: Liebeslieder Walzer; Neue Liebeslieder; Hough: Other Love Songs – review

Brahms's sentimentality and folksy charm quickly cloy, but Hough's own songs cleanse the palate, writes Andrew Clements
  
  


Listening to Brahms's Liebeslieder Walzer and his Neues Liebeslieder in quick succession may be just too much of a good thing; their sentimentality and folksy charm quickly cloy, even in such fresh-toned performances by the five singers of the Prince Consort, with Philip Fowke and the group's usual pianist Alisdair Hogarth the duet accompanists. So it was a bright idea of the group to ask Stephen Hough to compose a song cycle for the same lineup to separate the two helpings of Brahms, and perhaps to provide some palate-cleansing astringency. Hough selects eight poems from a variety of sources, from St John's Gospel and Julian of Norwich to AE Housman and Langston Hughes, to exemplify a much wider range of kinds of love, from religious to fraternal, and sets them with a Ned Rorem-like eclecticism of style and mood. The sequence is perfectly judged, wittily allusive and serves its purpose perfectly. I suspect, in fact, that most who buy the disc will listen to Hough's songs more than the Brahms that flanks them.

 

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