John Fordham 

Michael Wollny’s [em]: Wasted & Wanted – review

As ever, Michael Wollny's music buzzes with variety and imagination on this fine new set, writes John Fordham
  
  


Young German pianist Michael Wollny brings this spirited trio to Ronnie Scott's next week, for the second night of Jazzwise magazine's festival – and to judge by the four-track live bonus CD that accompanies this adventurous new studio session, the band's hard-rocking energies and sophisticated improv and composing skills fuse with intensifying heat. The opening title track occupies that chord-punching territory occasionally linking the band with the Bad Plus and Neil Cowley's group, but however groove-powered Wollny can be, his music always buzzes with variety: Mahler, Berio and Schubert share the tracklist with the group's originals on this eventful set. Bassist Eva Kruse's intricate Metali entwines a long snaking melody repeated at extremes of the register, while Blank has a pounding-heart dancefloor drum sound under a ringing chord-melody. Wollny's jangling harpsichord-like spinet is pitched against hip-hop drums, and stabbed, improv-like pieces share space with tranquil drifters of plucked piano strings and long bowed tones. It's a very imaginative chemistry of patience and eclectically contemporary edginess.

 

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