Bassist Marc Johnson and pianist Eliane Elias sound so complete as a duo that you might think even one extra player would be too many. Then, after the first number, in come the discreet Joey Baron on drums and that matchlessly inventive tenor saxophonist Joe Lovano and it all sounds – not better so much as deeper, more resonant. The thing that sets this apart from the usual quartet or trio set is the extraordinary understanding between Elias and Lovano, whose thoughts seem often to run in parallel. Johnson's double bass tone is a joy, especially in his solo version of Shenandoah.