Robin Denselow 

Emily Barker and the Red Clay Halo: Dear River – review

This classy, lush production is helped by some fine accordion and fiddle work, but Barker's fine storytelling gets rather lost, writes Robin Denselow
  
  


Brought up in Australia but now living in the UK, Emily Barker has a gift for great melodies and Americana-influenced songs, ranging from the chugging country-rock of the title track to the melodic ballad Sleeping Horses or the harmonica-driven Ghost Narrative, with its echoes of Neil Young. Her latest album is released by a label that prides itself on audio quality, and her producer is Calum Malcolm from Blue Nile. No surprise, then, that this should be a classy, lush production, helped by some fine accordion and fiddle work from her band. It's all very pleasant, but the quality of her storytelling gets lost. A Spadeful of Ground, on the plight of Aboriginals, or Letters, a war memoir, deserve a more considered, less easygoing approach.

 

Leave a Comment

Required fields are marked *

*

*