In 2007, Sam Eastgate released a single track under the name LA Priest. It’s taken him eight years to follow it up with an album, the major distraction being his dance-rock quartet Late of the Pier. Since the Leicestershire band split up in 2010 – prematurely, given the promise of their debut Fantasy Black Channel – Eastgate has reportedly been building synths in a Welsh mountain retreat and studying electromagnetic phenomena in Greenland. The years have had a mellowing effect, but they haven’t dulled Eastgate’s eclecticism. He’s taken a kitchen-sink approach on the new album, melding psych rock and disco with electronics that recall Aphex Twin. Inji feels disjointed at moments but Eastgate’s stoned insouciance papers most of the cracks.