John Fordham 

Matthew Halsall & the Gondwana Orchestra: Into Forever review – frequently gorgeous

Halsall’s jazz sensibilities constantly lead him to energise the gentlest passages, and the gospel infused sound of Josephine Oniyama will broaden the orchestra’s appeal
  
  

Matthew Halsall & the Gondwana Orchestra.
Dramatic presence … Matthew Halsall & the Gondwana Orchestra. Photograph: Simon Hunt



With last year’s Gondwana Orchestra album When The World Was One, northern trumpeter and composer Matthew Halsall eloquently blended the tranquil tone-poetry of Alice Coltrane and the jazz intensity of her husband, John, with sounds of a kindred spirit from Japan and the east. Into Forever expands that lineup with a string quartet and the gospel and R&B-infused sound of the powerful Manchester vocalist Josephine Oniyama. Halsall’s jazz sensibilities constantly lead him to energise the gentlest passages with contrastingly prodding bass hooks, tough drum patterns and rimshot snaps (as on The Land Of), McCoy Tyner-like piano lines edging through Rachael Gladwin’s harp swoops (Badder Weather), or his own unhurried trumpet reflections, as on Daan Park. The Gondwana Orchestra’s sound palette is frequently gorgeous, and Oniyama’s dramatic presence will undoubtedly broaden their appeal, even if the directness of lyrics may diminish some of their earlier ethereal attraction for some.

 

Leave a Comment

Required fields are marked *

*

*