Tyler Ballgame: For the First Time, Again review – cosplaying singer-songwriter courts comparisons to 1970s greats

The much-hyped LA singer – who has been compared to Tim Buckley, Elvis and more – certainly has a beautiful voice, though he can lean too eagerly on his influences

Lucinda Williams review – Americana legend brilliantly rails against a world out of balance

At 73, the lodestar of Americana still writes with urgency, as the patient force of her band sends the music grooving skywards

Dijon review – a dense and dramatic forest of futurist sound from Grammy-nominated R&B auteur

Nominated for producer of the year for his album Baby and work with Justin Bieber, the US musician’s passion and experimentalism shine in this daring performance

Harry Styles: Aperture review – a joyous, quietly radical track made for hugging strangers on a dancefloor

Styles is wonderfully loose and unhurried on the lead single to his new album, taking a bold path away from the rest of today’s mainstream pop

Hilary Duff review – first gig in 18 years for former teen icon is euphoric, escapist fun

Despite never being a huge pop force after her years as Disney star Lizzie McGuire, fans come from Brazil and Saudi Arabia for Duff’s charming, self-deprecating return

Nick Cave & the Bad Seeds review – an electrifying crescendo of faith, fury and fragile joy

Returning to Australian stages after nine years, the band delivers a fierce, generous set that draws on four decades of music

Emmylou Harris review – spine-tingling goodbye from 78-year-old country legend

The lived-in dustiness of her voice only enriches her storytelling, with her greatest songs now more devastating than ever

Sleaford Mods: The Demise of Planet X review – vulnerability and versatility widen potty-mouthed appeal

The duo’s 13th album finds Jason Williamson as baffled and infuriated as ever at the state of the world, with help from some unexpected collaborators

Robbie Williams: Britpop review – a wayward yet winning time-machine trip back to the 90s

Framed as the music Williams wanted to make post-Take That, Britpop surpasses pastiche and swerves unpredictably. Homoerotic paean to Morrissey, anyone?

Biffy Clyro review – triumphant set marks a thunderous renewal

Coming off the back of a rough period, the Scottish band find reconnection, renewal and purpose in their singular mix of pop, rock and metal

Jenny on Holiday: Quicksand Heart review – Let’s Eat Grandma innovator’s knowing new-wave reinvention

In Jenny Hollingworth’s first solo venture, her singular songwriting powers shine in swooping vocals and transcendent pop melodies

Blue: Reflections review – a clunky rehash of their Y2K boyband heyday

The four-piece try to tap into modern pop’s deep well of nostalgia but come off like Westlife on a bad day

Taylor Swift: The End of an Era review – as she breaks down over the terror plot, it’s impossible not to feel her pain

The singer’s tears over the Islamic State terrorist plot against her show and Southport attack make this behind-the-scenes docuseries about her world-conquering tour more moving than anyone could have anticipated

Robert Plant’s Saving Grace review – self-effacing superstar still sounds astonishing

Playing a mix of traditional folk and radically rearranged acoustic Led Zeppelin classics, the former Zep frontman is in fine voice – but also happy to step out of the spotlight

Melody’s Echo Chamber: Unclouded review – an enchanted, balmy garden of dreampop

Blooming strings, mellifluous guitars and airy vocals make Melody Prochet’s fourth album a calming place to visit – even if there’s a lack of standout tracks