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Bon Jovi review – rockers make a surprisingly poignant return to the stage

After vocal cord surgery, Jon Bon Jovi and band make a sturdy return with hit-packed show

Baby Rose: Yearnalism review – gloriously cinematic soul from the edge of emotional collapse

The US songwriter paints an impressively wide variety of shades on her third album, from vintage R&B to melodic soft-rock and balladry worthy of Nina Simone

Jack White: Frozen Charlotte review – brutal, squalid blues-rock that just about sells its own ridiculousness

Following the superb No Name, White continues his fan service with stripped back songs and nasty, anarchic riffs – though it all ends up feeling a little samey

BTS review – pure joy and astonishing versatility at K-pop titans’ first UK show in seven years

Fans and cynics are putty in the boyband’s hands as the lads lark their way through a catalogue of tracks that ricochet from hard rap to buttery pop

The Rolling Stones: Foreign Tongues review – stomping blues and anti-Musk politics make this another late triumph

Continuing the rejuvenated sound of 2023’s Hackney Diamonds, there’s touching vulnerability from Keith Richards while Jagger confronts war and autocracy

Joan Jett and the Blackhearts review – rip-roaring rock history, but why is she playing Gary Glitter?

In her first UK headline show in 16 years, Jett has a terrific knack for a cover version, though she’s a touch nonchalant – and there’s a real misstep

Sienna Spiro: Visitor review – will she be the ‘new Adele’? Not with this merely competent debut

Amid signs of greatness, the already hugely popular British singer fails to live up to her potential, lacking vocal agility and lyrical subtlety

Alabama Shakes review – US rockers’ first UK gig in a decade is suffused with hope for the future

As they tee up a long-awaited third album, the deep south band are variously slick and raw as they ruminate on overcoming tough times

Madonna: Confessions II review – nostalgic dancefloor trip sparks her most vital album in two decades

After years spent chasing trends like trap and Latin pop, Madonna settles back​ nicely into​ old-school dance music to tell vivid vignettes of life in 80s New York

My Chemical Romance review – ​fire! Nuclear war! Killer pierrots! This is stadium rock at its most monumentally madcap

Adding eye-popping spectacle to this anniversary reprise of The Black Parade is fun, but what really stands out is the tremendous songcraft

The Black Lights review – Mica Levi, Moin and Klein thrill at an awesome addition to the UK festival circuit

Tapping into the kitsch and romance of a Blackpool weekender, this debut offering from Manchester’s White Hotel becomes a triumph of pan-genre experimentalism

Bad Bunny review – dynamic Latin superstar hosts thrilling party

The Puerto Rican musician kicks off in a white suit fronting a salsa band in full flow, then switches up with a swaggering, chaotic rave in a replica island home

Metallica review – metal legends break out the pyrotechnics … and a Proclaimers cover

Armed with four drum kits, an arsenal of hits and a 50,000-strong snake pit, Lars Ulrich and co deliver a masterclasss on their marathon world tour

Muse: The Wow! Signal review – stupendous space-rock silliness … yet somehow surprisingly subtle?

From Count Dracula organ to choirs crying in Latin, the Devon band are scenery-chewingly preposterous​ yet nuanced on this epic about extraterrestrial life

Hayley Williams review – punk and R&B expertly intertwine on first solo tour for Paramore star

In her first European jaunt outside of her headbanging band, the singer uses humour to turn angsty songs into rowdy collective catharsis

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  • The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
  • National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing
  • BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater
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  • Olivia Rodrigo review – crushing riffs and infectious hooks at secret New York show
  • Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince
  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair
  • Flo: Therapy at the Club review – skirting the dancefloor and overly sweating the small stuff
  • Arun Sood and Angeline Morrison: Donn/Dubh review – British folk giants startlingly transform sacred histories
  • Ravyn Lenae: Blue Island review – from Suicide to Squarepusher, grunge to Janet, a pop one-off plots her unique path
  • Phoebe Bridgers: Lost Weekend review – long-awaited return is a thrilling, daring study in dislocation
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  • Tao of Glass review – stage magic as McDermott meditates on the minimalist master
  • Arca: XXXXX review – a wild, brilliant album that taps into our bodies’ most feral frequencies
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  • John Tilbury: At Home album review – an eclectic and extraordinary treasure trove
  • BBCSSO/Wigglesworth / Booth review – Brett Dean’s song cycle is rich and strange
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  • Shaboozey: The Outlaw Cherie Lee & Other Western Tales review – a striking addition to the rich canon of country concept albums
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  • BBCSO/Oramo review – Turnage’s satisfying and clever Festen Suite makes UK debut

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