Take That review – stadium redux of Circus tour has maximal razzle-dazzle
Elephants, clowns, aerialists hanging by their hair … the Big Top concept doesn’t let up at this hugely enjoyable outing for a boy band with hits to spare
Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
The daughter of Foo Fighters’ Dave does a serviceable line in 90s throwback sounds, though the nostalgia is too reverent
Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
The quintet add shoegaze, country and 50s rock’n’roll to their core indie-punk sound, resulting in songs that offset lyrical bleakness with gleeful, uplifting music
Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
After three unlikely Top 10 albums in the 90s, the trio are back – and on the basis of this rapid-fire set, you hope they’ll stick around
Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds
From nostalgic returns to his Liverpool childhood to a crazed Glastonbury fantasia, these are songs written with real purpose and a master’s finesse
Boards of Canada: Inferno review – after 13 years away, their prodigal return is a big disappointment
The Scottish electronic duo remain hugely influential – but their new album’s interrogation of religion is dubious, and the drum programming is worse still
Doja Cat review – pop superstar or true freak? US iconoclast plays the tension to perfection
Moving seamlessly through extravagant choreography between bubblegum–rap and darker, rockier material, the singer is always in full command
Harry Styles review – a genuinely charismatic performer who has pulled off one of the hardest tricks in pop
Johan Cruijff Arena, the NetherlandsStyles’ first stop in his Together, Together tour, which will see him perform lengthy residencies around the world, is a reminder of how talented he is
Dua Saleh: Of Earth and Wires review – ambitious confrontation of global catastrophe is surprisingly cautious
While the first track is a scorching mix of poetry, rap, falsetto vocals and acoustic guitar, elsewhere the Sudanese-American’s second album feels a little underbaked
Genesis Owusu: Redstar Wu & the Worldwide Scourge review – political fury and propulsive fun
Seething with righteous anger and moshpit-ready tracks, the Australian artist’s genre-hopping but cohesive LP makes a case for the durability of the form
Angine de Poitrine review – alien rock duo’s UK debut is hypnotic, harebrained and 100% worth the hype
The polka-dotted phenomenon land their spaceship in Leeds for an ecstatic show that balances supremely complex musicianship with ridiculous good fun
Super Furry Animals review – stirring reunion showcases immaculate songcraft
The Welsh band with a weird edge mostly let their formidable music speak for itself, lent a transcendent power by frontman Gruff Rhys’s rich voice
Charli xcx: Rock Music review – is she really pivoting from pop? Don’t be so sure …
The lyrics may argue the dancefloor is dead, but this funny, wilfully plasticky new single isn’t the total about-turn from Brat that fans expected
Paul Simon review – at 84, back on stage after hearing loss, his resolute artistry is inspiring
What Simon has lost in vocal power he has added in intimacy and authority – and this hushed performance makes for an arena concert like no other
Ana Roxanne: Poem 1 review – a stunning pop balladeer emerges from the haze
Essaying a broken heart, the New Yorker puts her voice front and centre for her most accessible work yet, though still with unexpected details – and a Schumann cover