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Ariana Grande review – glittering hits and powerhouse vocals in stunning return to stage

The pop star’s first tour in seven years brought the house down with emotive ballads and clubby bangers delivered with saucy wit

Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good

Gossips have rushed to the lyrics for details about her personal life, but the rest of us can just get on with luxuriating in Rodrigo’s funny, Cure-infused craft

Lola Young review – buoyant, brilliant return from British pop’s great oversharer

The Messy hitmaker is back after taking time away from live performance, and this charming, relatable set shows why she is such a gen Z icon

Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands

Aided by Jack Antonoff, Kim Gordon, Sampha and more, the cello-playing singer-songwriter’s abstracted yet tuneful second album is worth the seven year wait

St Vincent review – majestic orchestral transformations of jagged art-pop

The mercurial artist reworked her catalog with technical mastery – and playful dance moves – accompanied by the Boston Pops orchestra

Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years

Full of handcrafted care and the rootsy soul of her country origins, this gently elated song is a reminder of what fans love about Swift … and the film series

Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness

Better known as a formidable free jazz saxophonist, these thrashing songs about the artist’s Tennessee childhood home share a similar genre-pushing intensity

Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience

From birdsong to pool balls, this Lithuanian musician – a graduate of Copenhagen’s buzzy Rhythmic Music Conservatory – mixes beguiling found sounds into left-field pop and modern classical

Lizzo: Bitch review – a spirited star who just can’t rediscover her groove

After scrapping an album and starting anew, Lizzo still sounds lost amid these weak genre-hopping songs. Perhaps the zeitgeist has simply left her behind

Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd

Even slight hand gestures elicit screams from his rapturous fans, at a show that brings politics to the party – and ends with a cameo from his father

Take That review – stadium redux of Circus tour has maximal razzle-dazzle

Elephants, clowns, aerialists hanging by their hair … the Big Top concept doesn’t let up at this hugely enjoyable outing for a boy band with hits to spare

Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part

The daughter of Foo Fighters’ Dave does a serviceable line in 90s throwback sounds, though the nostalgia is too reverent

Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot

The quintet add shoegaze, country and 50s rock’n’roll to their core indie-punk sound, resulting in songs that offset lyrical bleakness with gleeful, uplifting music

Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody

After three unlikely Top 10 albums in the 90s, the trio are back – and on the basis of this rapid-fire set, you hope they’ll stick around

Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

From nostalgic returns to his Liverpool childhood to a crazed Glastonbury fantasia, these are songs written with real purpose and a master’s finesse

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  • BBCSSO / Wigglesworth / Osborne review – jazz energy meets its match in French insouciance
  • Zach Bryan review – colossal US country star converts the UK to his inclusive take on the rodeo
  • Download festival review – Guns N’ Roses flop and Letlive thrive as metal’s biggest fest enters the future
  • Ariana Grande review – glittering hits and powerhouse vocals in stunning return to stage
  • Pelléas et Mélisande review – luminous semi-staging but Debussy’s elusive opera keeps its secrets
  • Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good
  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie

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