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Neil Young and the Chrome Hearts: Second Song review – shaky album occasionally strikes gold

The 80-year-old continues his tireless output, delving into the past for inspiration to variable results – though two lengthy brand-new songs are real showstoppers

Haruomi Hosono: Yours Sincerely review – slight songs with huge hearts from the Japanese pop pioneer

Unpredictable and utterly beguiling, the septuagenarian beloved by Harry Styles brings a hint of mischief to his innocently charming songs

Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo

The brilliantly strange band’s live show is a must-see spectacle powered by glorious noise and wild flair

The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock

Britain’s best indie-rockers hold fast to their defiantly old-school sound, slipping wry sideways looks at despair in among hooky melodies that always sound like a good time

Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly

The 78-year-old has astonishing range but gets bogged down in middling rock, though later delivers some gorgeous acoustic songs – and a slinky Marvin Gaye cover

Evanescence review – devastating power and range from one of rock’s great vocal talents

The titanic choruses and stormy metal riffs of latest album Sanctuary are the perfect foundation for Amy Lee’s astonishing, skyscraping vocal range

End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party

Hitting 20, this festival has grown into a warm, genre-hopping powerhouse where fringe experimental acts are greeted as warmly as the star headliners

Katseye review – petulant hyperpop bops from a girl group in crisis

Fans scream ‘eat zucchini’ as if their lives depend on it as the six-piece’s remaining members strut their way through chest-rattling hits, ludicrous bangers and flaccid flops

Adéla: Prima review – Slovakian star smashes the fourth wall to bask in pop’s cynicism and seduction

The 22-year-old is impressively frank about indulging industry sleaze in her pursuit of fame on a debut that puts a distinctive spin on the best of 00s hedonism

Reading and Leeds festival review – post-GCSE blowout shows how dominant dance music now is

Charli xcx and Fontaines DC are spellbinding and there’s an awesome array of genres, but the biggest turnouts are for tech house names like Kettama and Josh Baker

Daisy Chain Fields review – Olivia Rodrigo’s women-led festival is electric amid extreme heat

Performances from Rodrigo, Stevie Nicks, Chappell Roan and Sarah McLachlan raise $20m for charity yet are marred by poor planning for heatwave

The Waterboys review – Steve Earle joins a gloriously unruly return to Fisherman’s Blues

The Nashville singer-songwriter is among the guests joining Mike Scott for a sprawling, exuberant revue that finds new life in the Waterboys’ rootsy past

Dahi: Black Boy (Alternative) review – Kendrick producer takes the spotlight for all-star guitar celebration

The Grammy winner unites former clients including Lamar and Ravyn Lenae for a playful, dazzling voyage through the guitar’s diversity, from alt-rock to Afrobeat

Green Man review – Wolf Alice, Shame and secret sets keep the Welsh festival’s flame burning

The traditional fire might be banned this year, but festivalgoers are treated by energetic performances by Wolf Alice, Tamikrest and Westside Cowboy

Slayyyter live review – raucous show announces a new princess of sleaze-pop

The cult star proves she is ready for pop’s big leagues in a show that blends chaotic punk energy with technical finesse

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  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return
  • Playing With Fire review – like Disney’s Fantasia on steroids as a virtual Yuja Wang plays amid luminous dreamworlds
  • Don Giovanni review – reality recedes in visually dizzying Mozart tour de force
  • Our Eyes Looking for God review – exploring the Black British experience in rap, reggae and arias
  • Neil Young and the Chrome Hearts: Second Song review – shaky album occasionally strikes gold
  • Gretchen Parlato: The Wise Ones review – snappy grooves and languid covers from always-arresting jazz singer
  • Haruomi Hosono: Yours Sincerely review – slight songs with huge hearts from the Japanese pop pioneer
  • Lucas Debargue: Gershwin Variations album review – freshness and flair
  • Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo
  • Lise Davidsen: Verdi album review – star soprano gives opera’s leading ladies radiant power and vulnerability
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • Munich Philharmonic/Lahav Shani/Martha Argerich review – the great pianist gleams
  • Oasis: Don’t Look Back in Anger review – mammoth tour movie brings the joy and poignancy of reunion
  • Jay-Z 30 tour review – the sheer profusion of nailed-on classics is dizzying
  • Katseye review – petulant hyperpop bops from a girl group in crisis
  • Berlin Philharmonic/ Petrenko/ Hadelich review – flawless musical beauty
  • Sairie: Beneath the Spreading Tree review – exquisite 70s-inflected folk heralds a move into autumn’s chill
  • Chat Pile: Who Loves the Sun review – sludge metallers resurface with a slightly limiting alt-rock rebrand
  • Vista, Saarikoski Songs, Three Preludes album review – Saariaho’s iridescent visions evocatively rendered
  • The Gesualdo Six/Colin Currie Group review – surely the year’s most atmospheric Prom
  • Berlin Philharmonic/Petrenko review – insightful Elgar and Tchaikovsky holds Proms audience in thrall

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