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Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act

Sampa Tembo’s genre-hopping third album meets the moment with charisma and cheek

The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel

After frontperson Juliette Jackson lost half her hearing, she wrote sad songs and felt frustrated. So she pivoted, writing herself a happy ending. The results are joyfully convincing

Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more

3Arena, DublinSeveral unannounced guests feature on the first European date of the rapper’s sold-out benefit tour, including video messages from Mark Ruffalo and Cynthia Nixon

Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival

With performances by Christina Aguilera, Lola Young and Tinashe, the pop star brings a colorful vision to life in support of LGBTQ+ charities

Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game

With Jorja Smith, Mark Ronson and others reinterpreting Back to Black for its 20th anniversary, most of the singers are eclipsed by the memory of Winehouse

Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody

Its release delayed by ill health, Kiwanuka’s latest was made in tandem with 2024’s Small Changes – but it’s much more than a mere companion album

Worldpeace DMT: Stick Around for Tea review – ‘laptop twee’ duo keep things goofy but strengthen songs

Bringing back the hyperliterate sound design of their acclaimed 2025 debut, the London duo explore childhood with whimsical humour and terrific musicality

Angèle: Instinct review – Belgium’s biggest star is determined to do pop differently

Massive in her home nation but less so outside, Angèle is aided by Justice, Soulwax and Caroline Polachek in ​a bold bid for broader appeal – but her resultant album ​can be generic as well as daring

Stevie Wonder review – playing ​his greatest album in full, he knocks everyone sideways

The opening night of Wonder’s tour marking the 50th anniversary of Songs in the Key of Life leaves jaws on the floor, thanks to sumptuous tracks carrying still-urgent messages

The Mary Wallopers review – legs and pints go flying to the sound of rowdy folk ragers

Irish six-piece embark on their biggest tour yet, turning grisly old stories into a knees-up with politically astute, spit-and-sawdust energy

Beth Orton review – battered optimism from an artist making the best music of her career

Drawing almost entirely from her last two albums, and backed by a band rooted in jazz and experimentation, Orton performed her emotionally fraught songs to a rapturous crowd

Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph

This is a beguiling, endlessly inventive and frequently astonishing fifth LP from a group at increasing ease with being the best band of their generation

Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show

Melancholic newer tracks sit uncomfortably alongside the chunky psychedelia and hazy prog-rock the Australian band is known for

Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA

Following 2023 breakout Time Ain’t Accidental, the best songs here are when Williamson strips back country music, rebuilding it as something familiar yet different

Troye Sivan: She’s the Best review – a strange, singular pop star who deserves to be multiplatinum

Adored by the A-list and filling arenas, but without huge smash hits, the Australian singer treads his own distinctive path through pop via shoegaze, Balearic and the Smiths

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  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears
  • Igor Levit: Resistance album review – essential listening in a time of bullies and despots
  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season
  • Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival
  • Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game
  • Bournemouth Symphony Orchestra / Wigglesworth review – phrasing with hospital corners
  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • The Alonetimes review – frenetic, funny and exhilarating music theatre
  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
  • RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline

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