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BBCNOW/Otaka/Kholodenko review – Rachmaninov fills seats but magic is missing

Soloist Vadym Kholodekno brought little subtlety to the ever popular second piano concerto, works by two Polish composers, Lutoslawsi and Grażyna Bacewicz fared better in this BBC National Orchestra of Wales concert

BBCSSO/Wigglesworth/Batsashvili review – detailed and monumental Bruckner

The BBC Scottish chief conductor’s reading of Bruckner’s Seventh was thoughtful and balanced. Mariam Batsashvili was an enthralling soloist in Mozart’s Piano Concerto No 20.

The Traitors Prom review – iconic show’s greatest hits turn the melodrama up to 11

Claudia Winkleman hosted while the BBC Scottish Symphony Orchestra expertly negotiated orchestrated covers including Billie Eilish and Olivia Rodrigo alongside a smattering of Saint-Saëns and Puccini

King of Kings: Orchestral Transcriptions of Bach by Andrew Davis album review – the late conductor’s first love

Davis’s fastidious and thoroughly musical orchestrations of Bach’s organ works become a touching memorial as Martyn Brabbins steps in to finish the recordings

Ginastera: String Quartets album review – compelling and colourful

The passionate settings of Spanish poetry in the Argentinian composer’s third string quartet are the real discovery of this career-spanning trilogy

Ensemble Intercontemporain/ Bleuse review – from a clown to a clarinet and Cathy Berberian

Royal Albert Hall, LondonA late-night Prom devoted to the music of Berio and Boulez (both born 100 years ago) demonstrated the intricacy, zaniness and sheer imagination of the two composers

Shibe/BBCPhil/Bihlmaier review – vivid, vibrant and exuberant virtuosity

Mark Simpson’s vibrant new work for Sean Shibe was the centrepiece of a polychromatic Prom that began with Strauss and ended with a vividly told Symphonie Fantastique

Lucia di Lammermoor review – Jennifer France is a delight in touching and convincing Donizetti staging

The unforced warmth of France’s heroine wins the audience’s sympathy from the outset in Cecilia Stinton’s thoughtful new staging of the bel canto bloodbath

First night of the Proms review – Batiashvili’s magnificent Sibelius opens the festival

An oddly disparate programme, including an Errollyn Wallen world premiere and a Vaughan Williams rarity, didn’t quite cohere in this opening concert, but all was outstandingly played

Chloe Chua: Mozart Violin Concertos album review – teenage prodigy’s interpretations are balanced and mature

The Singaporean violinist plays Mozart with a clean focused tone, an elegant turn of phrase and a quiet wit.

Julieth Lozano Rolong – Alma: Ibero-American Songs album review – Colombian soprano’s captivating debut

Supported beautifully by pianist João Araújo, and with songs by composers from seven countries, this recording offers a wealth of colour from a hugely promising performer

Salome review – a frankly astonishing concert performance

Asmik Grigorian heads one of the finest casts you could hope to hear, and every flicker of detail and colour in Strauss’s score hits home, as Antonio Pappano’s first season with the LSO climaxes in remarkable style

Recital for a World Gone to Sh*t review – full-throttle fury meets beautiful, blistering verse

Bridgerton star Adjoa Andoh’s outstanding delivery of poetry from the 2018 anthology was interspersed with excellent, yet slightly overshadowed performances from baritone James Newby and pianist Joseph Middleton

Schubert: Piano Sonata in A major, D959; Moments Musicaux album review – grandeur and grace from Steven Osborne

His grasp of Schubert’s scale and ebullience means this is among the finest recordings of one of the composer’s final sonatas

Steve Reich: Jacob’s Ladder; Traveler’s Prayer album review – at nearly 90, he’s as energetic as ever

The consistent harmonics of Traveler’s Prayer are an unfamiliar side to the US composer’s output while the exuberant Jacob’s Ladder brings back his familiar propulsive figures

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  • Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests
  • Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp
  • Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes
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  • Belinda Carlisle review – gleeful veteran lassoes devoted audience with ageless hits
  • Vienna Philharmonic/ Welser-Möst review – mighty ensemble strike gold with Bruckner
  • Justin Bieber: Swag II review – more filler with an occasional pop killer
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  • Chineke! Orchestra/Heyward review – kaleidoscopic concert combines energy and complexity
  • Lewis Capaldi review – an emotional return to the spotlight for pop’s most heart-on-sleeve star
  • Patrick Wolf review – a moon-lit marvel lights up the Minack theatre
  • Suede: Antidepressants review – edgy post-punk proves reunited Britpoppers remain on the up
  • L’heure espagnole/The Bear review – Scottish opera pairs Ravel with Walton in pacy pantomimic staging
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  • Nielsen: Clarinet Concerto; Helios; Symphony No 5 album review – suavity and elegance from Gardner’s Bergen Phil
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  • David Byrne: Who Is the Sky? review – great songs, if you can withstand the wacky jokes and miaowing
  • BBCSO/Adès review – Adès held the orchestra as if under a spell
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  • End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital
  • Norwegian Chamber Orch/ Kuusisto/Barruk review – Proms first as Ume Sámi songs take centre stage
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  • Melbourne Symphony Orchestra/ Martín review – soloist and players gather strength after protesters disrupt Prom
  • AG Cook review – the hyperpop auteur delivers a thrilling Brooklyn show
  • Addison Rae review – pop’s newest A-lister has the stagecraft of a veteran
  • Sabrina Carpenter: Man’s Best Friend review – smut and stunning craft from pop’s best in show

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