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Beethoven: The Sonatas for Piano and Cello album review – Watkins and Bax have a shared impulse to deliver eloquence

Cellist Watkins’ career-long immersion in the composer pays dividends in his pairing with Alessio Bax’s unfussy virtuosity

O/Modernt review – from Auerbach to Mahler, the fires of love bruise, batter and delight

The Stockholm-based chamber ensemble, led by violinist Hugo Ticciati, brought a programme that linked Auerbach and Janáček to Golijov – with clarinettist Christoffer Sundqvist the hypnotic soloist - and Mahler

Schwarzman Centre opening concerts – a magnificent new monument to secular culture

The Sohmen Concert Hall’s acoustics made Scottish Ensemble’s Shostakovich and Tchaivoksky pinprick clear, while the Great Hall showcased Devlin and Muhly’s ‘choral installation’

Wozzeck: Wretches Like Us review – Berg’s harrowing opera is more adrenaline-inducing than ever

The London Philharmonic under Edward Gardner combined with video art by Ilya Shagalov that was riveting and, in places, not for the squeamish

Turangalîla: Infinite Love review – RPO and 1927 Studios bring Messiaen to joyous and vibrant life

Part of the Southbank’s Multitudes festival, this pairing of silent movie and Messiaen was a feast for the eyes and ears

Sibelius: Violin Concerto, Lemminkäinen Suite album review – Ava Bahari is an enthralling storyteller

In this all-Sibelilus disc, violinist Ava Bahari’s account of the Violin Concerto has heft and exuberance, while Rouvali’s dramatic nous suits the drama of the Four Legends of Lemminkäinen

Forged in Sound: Heavy Metal Orchestrated review – hard-rocking mashup rides the lightning

Suzi Quatro, Mr Lordi and Alison Mosshart joined the Philharmonia in a setlist spanning Wagner and Metallica – with conductor Santtu-Matias Rouvali flexing his rock-drummer skills

Multitudes festival: Echoes of Hill and Horizon review – epic light show electrifies Elgar and Vaughan Williams

With dizzying surround sound and thousands of LED baubles, this was a synaesthetic feast from the Orchestra of the Age of Enlightenment

Timothy Ridout: Alto Appassionato album review – engaging and smartly curated viola and piano programme

Accomplished violist Ridout and pianist Jonathan Ware add bristling imagination and rich emotional layers to music by Franck, Fauré and more

LSO/ Pappano: The Dream of Gerontius review – full-throttle rendering of Elgar’s operatic finest

Antonio Pappano’s dramatically charged interpretation of this religious oratorio landed powerfully with a hair raising performance from David Butt Philip as the titular soul

LSO/Frang/Pappano review – tragic and thrilling Shostakovich and silky and spiky Korngold

Vilde Frang revealed the expressionistic bones of Korngold’s Violin Concerto in her performance of this 1945 work, part of a concert that included Imogen Holst’s Persephone and a drama-filled reading of Shostakovich’s 5th

Sean Shibe: Vesper album review – ever-imaginative guitar virtuoso brings mind-expanding flights of fancy

This thoughtfully curated programme of work by three British composers explores the guitar’s expressive potential, and new arrangements of Harrison Birtwistle’s piano originals are a revelation

The Flying Dutchman review – delusion, torment and menace in detailed and finely sung Wagner

Jack Furness’s unconventional staging for Welsh National Opera sees the orchestra play up a storm under Tomáš Hanus in Wagner’s legend of the man condemned to sail the oceans for eternity

Samuel Hasselhorn: Schubert Hoffnung review – timbral and emotional flexibility is in ample supply

The German baritone’s all-Schubert disc with pianist Ammiel Bushakevitz is full of communicative diction and poetic phrasing

Brodsky Quartet / William Barton review – two hemispheres meet in winning didgeridoo collaboration

An unlikely alliance cut a swathe through folk songs, Janáček and music from Australia and New Zealand in an eclectic and beautiful evening

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  • Candomblé: Sacred Rhythms in Brazil review – ceremonial drumming remixed for the dancefloor
  • Downtown Boys: Public Luxury review – a joyful blast of bilingual political punk
  • Jonathan Kuo: Java Dreams album review – young pianist brings unflashy exuberance to complex works
  • Phoebe Bridgers: Lost Boys review – ghosts, guns and guileless youth on generational songwriter’s return
  • Brahms’ Last Concert review – OAE and Emelyanychev take audience back to 1897
  • Anna Netrebko review – high camp and bel canto brilliance as star soprano shows she’s still the real deal
  • Orchestral Works of Mel Bonis album review – full justice is done to her finely crafted and sensuous music
  • Muse: The Wow! Signal review – stupendous space-rock silliness … yet somehow surprisingly subtle?
  • Turandot review – Opera Holland Park celebrate 30 years with Puccini’s grand guignol
  • Monochromatic Light (Afterlife) review – Tyshawn Sorey’s meditations yield their mysteries slowly
  • Giulio Cesare review – nightmarish take on Handel has snakes, sadism and a mummy
  • Hayley Williams review – punk and R&B expertly intertwine on first solo tour for Paramore star
  • Aldeburgh festival roundup – Tansy Davies and Freya Waley-Cohen premieres, plus blistering Shostakovich
  • Alice’s Adventures in Wonderland review – Lewis Carroll’s familiar characters move in from the garden
  • Das Rheingold review – a sure-footed feast as Alberich descends into madness
  • Gorillaz review – a staggering hi-tech mini-festival from the magpie mind of Damon Albarn
  • Il Ritorno d’Ulisse review – a sensuous slice of opulence and luxury
  • Ibeyi: Offering review – French twin sisters master the balance between mysticism and edge
  • Joe Lovano: Paramount Quartet review – inspired sax maestro bounces from bebop to fertile improv
  • Elgar and Dvořák: Cello Concertos album review – Gerhardt’s readings are forthright, refreshing and thoughtful
  • Brahms: Violin Sonatas album review – Ehnes and Armstrong’s performances exude an effortless rightness
  • Myles Smith: My Mess, My Heart, My Life review – faceless, formulaic mush of Mumfords, Sheeran and Coldplay
  • Lily Allen review – West End Girl’s marital collapse is superbly evoked at arena scale
  • L’Orfeo review – Kentridge’s exhilarating creativity animates compelling Monteverdi
  • BBCSSO / Wigglesworth / Osborne review – jazz energy meets its match in French insouciance
  • Zach Bryan review – colossal US country star converts the UK to his inclusive take on the rodeo
  • Download festival review – Guns N’ Roses flop and Letlive thrive as metal’s biggest fest enters the future
  • Ariana Grande review – glittering hits and powerhouse vocals in stunning return to stage
  • Pelléas et Mélisande review – luminous semi-staging but Debussy’s elusive opera keeps its secrets

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