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Monteverdi Choir/English Baroque Soloists/Whelan review – St John Passion of drama and authority

Peter Whelan conducted a performance of Bach’s oratorio that was full of driving cinematic excitement and touching humanity

LSO/Hannigan review – intensely fluent soprano switches into full command as conductor

Barbara Hannigan began the evening singing an intense monodrama based on Han Kang’s The White Book, then led the orchestra through unsparing Ligeti and Strauss

Feshareki/BBC Singers/Goddard review – goddess-inspired soundscape stuck in the great unknown

Shiva Feshareki’s Divine Feminine fails to find its focus despite soprano Emma Tring’s incandescent, fearless performance of Celtic deity Brigid

Hallé: Huw Watkins album review – Covid-era commissions capture energy and hope after lockdown

Watkins’s symphony, fanfare and concerto make for a spirited showcase of the orchestra’s clean harmonies

Lise Davidsen and James Baillieu: Live at the Met album review – electrifying renditions make the momentous intimate

Recorded in New York in 2023, the soprano sings Strauss, Wagner, Grieg and more to thrilling effect, her sincerity and passion matched perfectly on piano

Philharmonia/ Schwarz/ Ólafsson review – a masterclass in pianissimo

Marking György Kurtág’s 100th birthday, Elena Schwarz and Víkingur Ólafsson led a programme of hushed intensity and fleeting ferocity

LSO/ Wang/ Peltokoski review – Yuja Wang’s ferocious Rautavaara meets Peltokoski’s passionate Wagner

The pianist was electrifying in Rautavaara’s first concerto, while the young Finn conducted a condensed Ring with clever, slow-burn pacing

Sinfonia Cymru / Laura van de Heijden review – quiet authority and effortless grace inspire

The cellist moved up a gear during Dobrinka Tabakova’s concerto, as the fiery writing showed her at her virtuosic best

RPO/Edusei/Masabane Cecilia Rangwanasha review – the makings of a classic Strauss

South African soprano Rangwanasha proved she is the real deal in a performance of Strauss’s Four Last Songs that’s let down by the RPO’s oddly pinched, poorly tuned backing

The Hallé Presents … Jonny Greenwood review – everything in its right place, almost

The Radiohead guitarist joined the orchestra for the premiere of his rather formless Violin Concerto – but other repertoire was gripping, and showed off a world-class string section

Harnoncourt: Mendelssohn, Wagner, Schumann album review – revelatory readings from the late revolutionary

This 1999 live recording captures the late conductor’s radical ear in bracing Mendelssohn, gossamer Wagner and a luminous Liebestod – from Violeta Urmana

Pekka Kuusisto: Willows album review – luminous, inventive and penetrating

The Finnish violinist-conductor strips back The Lark Ascending to revelatory effect in an album that moves from searing grief to radiant, folk-infused transcendence with Sam Amidon

Bath BachFest review – joyous and mesmerising music making

The festival’s new artistic director Adrian Brendel presided over – and was a key part of – a day of virtuosic and adventurous performances

BBC Total Immersion: Icelandic Chill review – ambience, flowerpots and drones in varied day of new music

This celebration of Iceland’s outsize musical talents was a mixed bag, but highlights such as Bára Gísladóttir’s double bass concerto and Daníel Bjarnason’s I Want to Be Alive revealed singular and innovative voices

Sacconi Quartet review – new Freya Waley-Cohen work reveals ensemble at their finest

Marking 25 years since their formation, Dances, Songs & Hymns for Friendship was informed by the composer’s observations of the four musicians both in and out of rehearsal

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  • Turangalîla: Infinite Love review – RPO and 1927 Studios bring Messiaen to joyous and vibrant life
  • Anohni review – masterful songbook reinventions are an out-of-body experience
  • Carla dal Forno: Confession review – spartan, sunlit post-punk strikingly contrasts the desperation of desire
  • Walter Smith III: Twio Vol 2 review – classic jazz is vividly alive in the hands of this incisive saxophonist
  • Sibelius: Violin Concerto, Lemminkäinen Suite album review – Ava Bahari is an enthralling storyteller
  • Forged in Sound: Heavy Metal Orchestrated review – hard-rocking mashup rides the lightning
  • Olivia Dean review – soul-pop superstar shimmies into a classy and commanding first arena tour
  • Multitudes festival: Echoes of Hill and Horizon review – epic light show electrifies Elgar and Vaughan Williams
  • Timothy Ridout: Alto Appassionato album review – engaging and smartly curated viola and piano programme
  • Noah Kahan: The Great Divide review – Stick Season turns Groundhog Day in stadium folkie’s endless autumn
  • David Bowie: You’re Not Alone review – Ziggy glam and Berlin grime in a bum-shaking yet sanitised immersion
  • LSO/ Pappano: The Dream of Gerontius review – full-throttle rendering of Elgar’s operatic finest
  • Madonna: I Feel So Free review – album teaser offers hypnotic glimpse of a return to her club scene roots
  • LSO/Frang/Pappano review – tragic and thrilling Shostakovich and silky and spiky Korngold
  • Sean Shibe: Vesper album review – ever-imaginative guitar virtuoso brings mind-expanding flights of fancy
  • The Flying Dutchman review – delusion, torment and menace in detailed and finely sung Wagner
  • Olivia Rodrigo: Drop Dead review – a maximalist rush of infatuation that’s just a bauble short of festive
  • Lucy Liyou: Mr Cobra review – an arresting trip through the volatile emotions of a predatory relationship
  • Various artists: Asili ya Mama review – Tanzanian field recordings tell women’s stories with an energetic trill
  • Samuel Hasselhorn: Schubert Hoffnung review – timbral and emotional flexibility is in ample supply
  • Jessie Ware: Superbloom review – Table Manners host dishes up more disco – but where are the bangers?
  • Massive Attack: Boots on the Ground (ft Tom Waits) review – first single in a decade is a dark hymn for our times
  • Brodsky Quartet / William Barton review – two hemispheres meet in winning didgeridoo collaboration
  • Leeds Song festival review – from haiku to hauntings in evening that thinks outside the box
  • Karol G at Coachella review – electrifying set destined for festival’s hall of fame
  • Dido and Aeneas review – young Welsh talent shines bright in Purcell
  • Justin Bieber at Coachella review – pop’s troubled prince mostly hits right notes in low-energy set
  • National Youth Orchestra/ Chauhan: Collide review – surging energy and remarkable intensity
  • Salome review – righteous fury and dynamic clarity give Regents Opera its head
  • The xx at Coachella review – indie trio reunites for spellbinding, rangy set

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