Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Winter Olympics 2026 opening ceremony review – disco-dancing opera masters upstage Mariah Carey

Carey was the big draw at Milan’s San Siro, but she was outweighed by pop-classical artists – and a sizeable dollop of kitsch

Classical Mixtape: A Live Takeover review – one queue after another mars orchestral jamboree

Six world-class orchestras in one night sounds like a surefire hit – but the programming was uninspired and there was far too much standing in line

Rhiannon Giddens and Francesco Turrisi review – big, generous, provocative music-making on a small stage

Grammy-winning Giddens fused folk, opera, jazz, pop and classical elements in a recital ‘honouring composers who don’t often get called composers’

Amidst the Shades album review – Ruby Hughes’ captivating Dowland tribute is steeped in delicious melancholy

Joined by lutenist Nordberg and Brinkmann’s viola da gamba, the soprano’s homage to the Renaissance composer is captivating and persuasive

The Goldberg Variations album review – Yunchan Lim untangles Bach’s complex web of threads

The 21-year-old pianist gives a fine, muscular account of the Goldbergs, with touches of playfulness, in this live recording from Carnegie Hall

Leonkoro Quartet review – vivid, intoxicating play from gleaming future stars

This young Berlin-based quartet impressed in a polished recital that built on Webern and Mendelssohn towards Beethoven’s enigmatic 0p 131

Sea Beneath the Skin/Song of the Earth review – sea, sand and ceremony as Mahler’s song cycle makes waves

Samoan choreographer Lemi Ponifasio’s chant-filled music-theatre piece – performed by Theatre of Kiribati and Britten Sinfonia – pushes Mahler into uncharted waters

Boris Godunov review – Bryn Terfel wild-eyed and barking in Mussorgsky’s relentless study of power

The second revival of Richard Jones’s compelling production boasts an impressive cast, with Terfel’s supple and rich voice at its centre. Conductor Mark Wigglesworth keeps up the momentum

LSO/Treviño/ Kopatchinskaja review – he conducts with a coiled-spring muscularity

Robert Treviño’s sure hand led the London Symphony Orchestra through mystical Messiaen and cinematic Rachmaninoff with Patricia Kopatchinskaja precise and playful in Márton Illés’s Vont-tér

Leonkoro Quartet: Out of Vienna album review – a blazing exploration of Viennese modernism

The young quartet give a fiercely alert account of Berg, Webern and Schulhoff – beautifully capturing Vienna’s prewar musical fault lines

Strozzi: Virtuosissima Sirena album review – Laura Catrani enchants with music from a true Venetian revolutionary

A sumptuous, elegant account of Barbara Strozzi’s 17th-century vocal music – performed with warmth, clarity and persuasive expressive freedom

Earth and Other Planets review – reimagined Holst with harmonica and a hoedown

Left-field duo Stevens & Pound threaded funky folk stylings with poetry by Robert Macfarlane and virtuoso playing by Britten Sinfonia to create The Silent Planet, a rethinking of Holst’s Planets Suite, with the addition of the newly composed Earth

Ben Goldscheider/ Richard Uttley review – a horn, a piano … and a braying donkey

This was a richly satisfying and moving concert of music that ranged from Mahler and Schumann to Simon Holt’s the Bell and Oliver Leith’s Eeyore

LPO/Jurowski review – Mahler’s 10th is full of colour, and the composer’s pain, in Barshai’s completion

Rudolf Barshai’s audacious completion of Mahler’s final unfinished symphony slathers on the colour, and its diverse timbral details came over loud and clear thanks to the LPO’s playing and Vladimir Jurowski’s textural lucidity

BBCSO/BBC Singers/Brabbins: UnEarth review – Wolfe faces the climate crisis head on

Julia Wolfe’s oratorio, here in its UK premiere, is evocative and striking, but its thudding final movement felt heavy-handed

Post navigation

← Older posts
Newer posts →
  • Schwarzman Centre opening concerts – a magnificent new monument to secular culture
  • Wozzeck: Wretches Like Us review – Berg’s harrowing opera is more adrenaline-inducing than ever
  • Turangalîla: Infinite Love review – RPO and 1927 Studios bring Messiaen to joyous and vibrant life
  • Anohni review – masterful songbook reinventions are an out-of-body experience
  • Carla dal Forno: Confession review – spartan, sunlit post-punk strikingly contrasts the desperation of desire
  • Walter Smith III: Twio Vol 2 review – classic jazz is vividly alive in the hands of this incisive saxophonist
  • Sibelius: Violin Concerto, Lemminkäinen Suite album review – Ava Bahari is an enthralling storyteller
  • Forged in Sound: Heavy Metal Orchestrated review – hard-rocking mashup rides the lightning
  • Olivia Dean review – soul-pop superstar shimmies into a classy and commanding first arena tour
  • Multitudes festival: Echoes of Hill and Horizon review – epic light show electrifies Elgar and Vaughan Williams
  • Timothy Ridout: Alto Appassionato album review – engaging and smartly curated viola and piano programme
  • Noah Kahan: The Great Divide review – Stick Season turns Groundhog Day in stadium folkie’s endless autumn
  • David Bowie: You’re Not Alone review – Ziggy glam and Berlin grime in a bum-shaking yet sanitised immersion
  • LSO/ Pappano: The Dream of Gerontius review – full-throttle rendering of Elgar’s operatic finest
  • Madonna: I Feel So Free review – album teaser offers hypnotic glimpse of a return to her club scene roots
  • LSO/Frang/Pappano review – tragic and thrilling Shostakovich and silky and spiky Korngold
  • Sean Shibe: Vesper album review – ever-imaginative guitar virtuoso brings mind-expanding flights of fancy
  • The Flying Dutchman review – delusion, torment and menace in detailed and finely sung Wagner
  • Olivia Rodrigo: Drop Dead review – a maximalist rush of infatuation that’s just a bauble short of festive
  • Lucy Liyou: Mr Cobra review – an arresting trip through the volatile emotions of a predatory relationship
  • Various artists: Asili ya Mama review – Tanzanian field recordings tell women’s stories with an energetic trill
  • Samuel Hasselhorn: Schubert Hoffnung review – timbral and emotional flexibility is in ample supply
  • Jessie Ware: Superbloom review – Table Manners host dishes up more disco – but where are the bangers?
  • Massive Attack: Boots on the Ground (ft Tom Waits) review – first single in a decade is a dark hymn for our times
  • Brodsky Quartet / William Barton review – two hemispheres meet in winning didgeridoo collaboration
  • Leeds Song festival review – from haiku to hauntings in evening that thinks outside the box
  • Karol G at Coachella review – electrifying set destined for festival’s hall of fame
  • Dido and Aeneas review – young Welsh talent shines bright in Purcell
  • Justin Bieber at Coachella review – pop’s troubled prince mostly hits right notes in low-energy set
  • National Youth Orchestra/ Chauhan: Collide review – surging energy and remarkable intensity

Contact www.freakyparty.net   Terms of Use