Chappell Roan review – pop’s patient princess triumphantly takes the throne in New York

The star claims she wasn’t ‘feeling 100’ for her Queens stadium show but it was hard to see any fatigue as she carried the crowd through her dazzling setlist

The Sicilian Vespers review – plot and theatrical panache collide in Verdi’s Parisian reinvention

Stefan Herheim’s production of this fascinating work battles with hollowness and ambiguities despite an impressive debut from Speranza Scappucci as principal guest conductor

Garland review – bells, whistles and a horse as Leith’s processional bemuses and beguiles

The narrative was lost but Oliver Leith’s large-scale work – world premiered here – was full of memorable moments

Schoenberg: Violin Concerto, Verklärte Nacht, Die Jakobsleiter album review – a compelling and impressive collection

Five works by the modernist composer, all taken from concerts given by Kirill Petrenko and the Berlin Philharmonic, include a magnificent performance of the oratorio fragment Die Jakobsleiter

Beethoven: Violin Sonatas Opp 12 no 2 & 96 album review – sheer joie de vivre

Viktoria Mullova and Alasdair Beatson end their cycle of Beethoven violin sonatas with energised and immaculate performances

Tosca review – Natalya Romaniw is riveting in WNO’s season-opener

The Welsh-Ukrainian singer was in ravishing voice, and the orchestra brought richness to a reduced score, while Edward Dick’s production seemed chillingly relevant

LSO/Pappano review – big, bold and filled with blazing conviction

Bernstein’s Symphony No 3 evoked the Cuban missile crisis before Copland’s Third Symphony lifted us on a tide of postwar optimism

Mozart’s Women: A Musical Journey review – Lauren Laverne helms an insight-free night that goes out with a bang

Coliseum, LondonIf you wanted to learn about the composer’s female influences, you would have been disappointed – but the arias eventually built to an electric climax

Last Night of the Proms review – star turns, good-natured flag waving and a rich Rule, Britannia!

Bill Bailey played a mean typewriter, Brian May and Roger Taylor raised laughs with Bohemian Rhapsody and trumpeter Alison Balsom bid a poignant farewell at just 46

Sinfonia of London – weapons-grade energy and contagious dynamism

Conductor John Wilson has made this orchestra one of the best in Britain, and violinist James Ehnes was the ideal soloist in a performance that took flight instantly

Sarah Connolly/Joseph Middleton: The World Feels Dusty album review – powerful narrations spanning Ella Fitzgerald to Emily Dickinson

With sweeping, full colour piano Connolly and Middleton pay attention to every word, every harmonic shift in a performance of appealing immediacy

Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests

Outrage over the casting of Anna Netrebko didn’t make it to the inside of the auditorium – where roars of approval greeted this high-stakes game of blood-spattered conflict directed by Oliver Mears

The Kanneh-Masons: River of Music album review – a fond familial affair

Welsh folk songs and an original composition sit alongside Liszt, Chopin, Handel and Elgar in a misty-eyed first half, before a more monochrome performance of Schubert’s Trout Quintet

Vienna Philharmonic/ Welser-Möst review – mighty ensemble strike gold with Bruckner

The Austrian legends glided through Mozart and Tchaikovsky but found grand and powerful direction in Bruckner’s Ninth Symphony

Chineke! Orchestra/Heyward review – kaleidoscopic concert combines energy and complexity

The ethnically diverse orchestra played with vigour and spirit in a programme that included Samuel Coleridge-Taylor, Shostakovich and Valerie Coleman