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Jörg Thomasius: Acht Gesänge der schwarzen Hunde review – groundbreaking electronics from East Germany

A compilation of DIY releases smuggled out of 1980s East Berlin on cassette includes glistening minimalism, pulsating grooves and wonky techno

Let’s Eat Grandma: Two Ribbons review – an unforgettably powerful study of friendship

Written amid grief and separation, the duo’s third album uses beautiful melodies and Top 40 choruses to consider their evolving bond

Claire Rousay: Everything Perfect Is Already Here review – everyday sounds that tug at the heartstrings

The San Antonio-based artist uses field recordings of lighters and typewriters, voice fragments and classical instrumentation to evoke emotion and memory

Destroyer: Labyrinthitis review – wayward, dance-infused weirdness

(Bella Union)The Canadian rockers weave dreamy electronica through an album that buries frequent moments of brilliance beneath a bewildering collage of ideas

Fred Again review – pop’s top producer steps out of the shadows

The low-key musician behind hits for Ed Sheeran and Charli XCX goes on tour with his own albums that tackle loss and lockdown

Griff review – Brit-winning rising star is confident and characterful

After the baffling flop of her single Black Hole, the pop singer-songwriter is still ready to reach for the stars in this breezy, funny show

Tori Amos review – flexing her musical muscle on an ecstatic return

Sounding as fresh as ever, the singer-songwriter swivels between instruments in an eclectic setlist scattered with cult classics, B-sides and covers aimed at pleasing the hardcore fans

Yves Tumor review – a star-making statement of intent

The genre-bending US singer-producer delivers a raw, kaleidoscopic show with the crowd-courting confidence of an artist on the verge of lift-off

Charlotte Adigéry & Bolis Pupul: Topical Dancer review – wildly eclectic electropop

The Belgian duo’s debut album is a banging fusion of funk, house and techno that makes up for in mischievous energy what it lacks in subtle wit

Jerusalem in My Heart: Qalaq review – bearing witness to a manufactured apocalypse

Radwan Ghazi Moumneh and avant garde peers collaborate on a defiant, vulnerable lament for Lebanon

Arca: Kick ii, iii, iiii, iiiii review – a wild ride to the dark, daring side of pop

Four new albums of extravagantly warped electronics offer listeners a lot to take in – and her most pop-focused music to date

Olivia Block: Innocent Passage in the Territorial Sea review – a magic-mushroom trip in music

The composer explored psychedelics during lockdown, creating synth music evocative enough to conjure aural hallucinations even if you’re not under the influence

Eris Drew: Quivering in Time review – divinely powerful and euphoric house

A compelling, cleverly inventive LP emerges from the New Hampshire woods care of a DJ and producer channeling her healing ‘Motherbeat’

Bex Burch and Leafcutter John: Boing! review – glorious confusion

Ghanaian gyil melds with space-age electronics for a spluttering, time-warping and thoroughly compelling collaboration

Erasure review – a heady cocktail of corsets and classics

On the opening night of their first post-pandemic tour, the British synth-pop duo proved they haven’t lost their essence

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  • Hugh Cutting/ Refound review – countertenor’s darkly compelling recital is an imaginative treat
  • MacMillan’s Christmas Oratorio review – a magical choral performance
  • Beare’s Chamber Music festival review: string supergroup dazzle with Schubert, Strauss and Schoenberg
  • Turandot review – Anna Netrebko brings greatness to Royal Opera’s classic staging
  • A Ceremony of Carols review – joy and Alleluias for Cardiff Polyphonic Choir
  • Pass the Spoon review – David Shrigley serves up a macabre kitchen opera
  • LSO/Pappano review – Musgrave’s Phoenix rises and Vaughan Williams’ London stirs the soul
  • Pavel Kolesnikov review – he is a virtuosic sculptor in sound
  • Taylor Swift: The End of an Era review – as she breaks down over the terror plot, it’s impossible not to feel her pain
  • Robert Plant’s Saving Grace review – self-effacing superstar still sounds astonishing
  • Ariodante review – dysfunctional royals and designer dresses in Handel with a disjunct
  • Hannigan/ Chamayou review – strange and beautiful musical magic
  • R&B Xmas Ball review – Toni Braxton melts hearts and Boyz II Men blow minds on trip back to the 90s
  • Last Days review – Leith’s opera imagining the final moments of Kurt Cobain is truly disturbing
  • La Rondine review – new version of Puccini’s opera makes aftertaste bitter rather than sweet
  • Lady Gaga review – the Mayhem Ball shows Mother Monster is still the reigning queen of spectacle
  • Kendrick Lamar review – with Doechii revving up the crowd, this is an extraordinary show for the ages
  • HMS Pinafore review – carry on up the poop deck in ENO’s daffy Gilbert and Sullivan staging
  • Melody’s Echo Chamber: Unclouded review – an enchanted, balmy garden of dreampop
  • Laura Cannell: Brightly Shone the Moon review – bleakness and beauty in a haunting carol collection
  • This Is Lorelei: Holo Boy review – sweet-sad songs from a new pearl of the US alt scene
  • Strauss: An Alpine Symphony; Four Songs Op 27 album review – nothing is overblown or indulgent
  • Nash Ensemble: Ravel album review – catches the music’s dazzling light and intriguing shade
  • Dove Ellis: Blizzard review – Irish indie enigma’s glorious debut justifies the buzz
  • Jamiroquai review – hat-sporting acid jazz superstars are slick but lack substance
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • Philharmonia/ Rouvali review – Fazil Say’s concerto sounds an urgent wakeup call
  • Cameron Winter review – Geese wunderkind whittles confident rearrangements in an intimate show
  • Wolf Alice review – indie chameleons sparkle on a glam-rock bender
  • Nicola Benedetti and friends review – delicious bite-sized musical snacks from a violinist still top of her game

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