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Soft Cell: *Happiness Not Included review – synth-pop elders with an eye on the future

Two decades after their last album, the band return with a wryly hopeful record – and some trademark electro bangers

Jörg Thomasius: Acht Gesänge der schwarzen Hunde review – groundbreaking electronics from East Germany

A compilation of DIY releases smuggled out of 1980s East Berlin on cassette includes glistening minimalism, pulsating grooves and wonky techno

Let’s Eat Grandma: Two Ribbons review – an unforgettably powerful study of friendship

Written amid grief and separation, the duo’s third album uses beautiful melodies and Top 40 choruses to consider their evolving bond

Claire Rousay: Everything Perfect Is Already Here review – everyday sounds that tug at the heartstrings

The San Antonio-based artist uses field recordings of lighters and typewriters, voice fragments and classical instrumentation to evoke emotion and memory

Destroyer: Labyrinthitis review – wayward, dance-infused weirdness

(Bella Union)The Canadian rockers weave dreamy electronica through an album that buries frequent moments of brilliance beneath a bewildering collage of ideas

Fred Again review – pop’s top producer steps out of the shadows

The low-key musician behind hits for Ed Sheeran and Charli XCX goes on tour with his own albums that tackle loss and lockdown

Griff review – Brit-winning rising star is confident and characterful

After the baffling flop of her single Black Hole, the pop singer-songwriter is still ready to reach for the stars in this breezy, funny show

Tori Amos review – flexing her musical muscle on an ecstatic return

Sounding as fresh as ever, the singer-songwriter swivels between instruments in an eclectic setlist scattered with cult classics, B-sides and covers aimed at pleasing the hardcore fans

Yves Tumor review – a star-making statement of intent

The genre-bending US singer-producer delivers a raw, kaleidoscopic show with the crowd-courting confidence of an artist on the verge of lift-off

Charlotte Adigéry & Bolis Pupul: Topical Dancer review – wildly eclectic electropop

The Belgian duo’s debut album is a banging fusion of funk, house and techno that makes up for in mischievous energy what it lacks in subtle wit

Jerusalem in My Heart: Qalaq review – bearing witness to a manufactured apocalypse

Radwan Ghazi Moumneh and avant garde peers collaborate on a defiant, vulnerable lament for Lebanon

Arca: Kick ii, iii, iiii, iiiii review – a wild ride to the dark, daring side of pop

Four new albums of extravagantly warped electronics offer listeners a lot to take in – and her most pop-focused music to date

Olivia Block: Innocent Passage in the Territorial Sea review – a magic-mushroom trip in music

The composer explored psychedelics during lockdown, creating synth music evocative enough to conjure aural hallucinations even if you’re not under the influence

Eris Drew: Quivering in Time review – divinely powerful and euphoric house

A compelling, cleverly inventive LP emerges from the New Hampshire woods care of a DJ and producer channeling her healing ‘Motherbeat’

Bex Burch and Leafcutter John: Boing! review – glorious confusion

Ghanaian gyil melds with space-age electronics for a spluttering, time-warping and thoroughly compelling collaboration

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  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds
  • Boards of Canada: Inferno review – after 13 years away, their prodigal return is a big disappointment
  • Tosca review – Puccini’s high-octane bloodbath bonanza makes for a shocking festival kick-off
  • Dido and Aeneas review – close your eyes and this was a tremendous performance

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