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Jockstrap review – electro-pop duo find order in the chaos

Taylor Skye and Georgia Ellery piece together a patchwork of musical genres into a beautiful tour opener

Hot Chip review – an immersive dance phenomenon

Years ahead of the disco reboot curve, the British synthpop stalwarts deliver a performance so charged they even break a drum

Hekla: Xiuxiuejar review – reclaiming the unique appeal of the theremin

The Soviet-era electronic instrument is often used as an exotic novelty, but the Icelandic musician unleashes its real potential

Mura Masa: Demon Time review – brash sugar rushes with a 00s spin

The producer’s relentless garage-pop bombardment feels like standing next to a tween frantically scrolling through TikTok without earbuds

100 Gecs review – wizards of hyperpop hellbent on fun

Loud and lurid, the American duo fuse distorted vocals, synthetic pop and singalong punk in a madcap extravaganza

Mabe Fratti: Se Ve Desde Aquí review – cathartic and powerful experimentation

The Guatemalan musician layers soft vocals and jarring textures to create a direct and forceful new tone

George Riley: Running in Waves review – gorgeous, softly futuristic R&B

Riley’s frank lyrics and molten vocals are immersed in a polished soundscape from producer Vegyn

Björk: Atopos review – one of the most dramatic left turns of her career

The thrilling first single from the singer’s tenth album is an apocalyptic almost-dance track which pairs experimental techno with pulsing clarinets

Sudan Archives: Natural Brown Prom Queen review – dizzying earworms

Post-genre American musician Brittney Parks extends her range yet further on her dizzying second album

Beatrice Dillon and Kuljit Bhamra review – explosive electro-acoustic alchemy

Techno producer Dillon and Bhangra percussionist Bhamra seem as one as they take their lightning-fast polyrhythms on an unpredictable musical odyssey

100 Gecs review – hyperpop provocateurs’ electrifying UK debut

Laura Les and Dylan Brady give a thrilling performance that emphasises the intricacy of their abrasive sound

We Out Here festival review – celebratory weekend of raucous dance and cosmic jazz

Showcasing rising UK talents like Two Shell and the Comet Is Coming alongside Detroit legends Underground Resistance, Gilles Peterson’s festival is a delight

Hot Chip: Freakout/ Release review – trying hard to be funky

The British dance-pop favourites make forays into the wilder side, but their mellow tempo prevails

Star Feminine Band: In Paris review – virtuosity meets protest on all-girl group’s second LP

The prodigious performers from Benin showcase their astounding pace of musical development, having only picked up their instruments for the first time in 2016

Hudson Mohawke: Cry Sugar review – happy hardcore will never die

Joining the dots between rave and contemporary hip-hop, the Scottish producer’s feverish third solo album hovers on the edge of chaos

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  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • The Alonetimes review – frenetic, funny and exhilarating music theatre
  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
  • RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline
  • 4.48 Psychosis review – a dazzling, harrowing opera worthy of Sarah Kane’s furious writing
  • Ariadne/Dido and Aeneas review – English Touring Opera conjures two strikingly different mythological worlds
  • PatKop & Say album review – playfulness and beguiling delicacy in mix of new and old
  • Worldpeace DMT: Stick Around for Tea review – ‘laptop twee’ duo keep things goofy but strengthen songs
  • Weird Baile: Collected Rips 2004-2024 review – a hallucinatory trip to baile funk’s outer limits
  • Mendelssohn: Songs Without Words review – Chamayou makes each piece feel somehow familiar yet fresh
  • Angèle: Instinct review – Belgium’s biggest star is determined to do pop differently
  • Stevie Wonder review – playing ​his greatest album in full, he knocks everyone sideways
  • The Mary Wallopers review – legs and pints go flying to the sound of rowdy folk ragers
  • Appl/Baillieu: Lines of Life review – gifted baritone blends Kurtág and Schubert
  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute
  • Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
  • Shostakovich Symphony No 8 album review – composer’s cry of despair in a remarkable and resonant new recording
  • Troye Sivan: She’s the Best review – a strange, singular pop star who deserves to be multiplatinum
  • Women and the Piano album review – Tomes brings her poetic instincts to a rewarding compilation
  • Holding Lightning by Emily Lordi review – an intimate portrait of Whitney Houston
  • Olivia Dean review – a powerful, affirming night with a pop star at the height of her powers
  • Metallica review – metal titans on fine form in spectacular rarities-focused show

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