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Farhot: Kabul Fire Volume 2 review – gut-shaking hip-hop collage

The Afghan-born producer skilfully explores his heritage with an unruly collage of vocal samples blended with diasporic sounds

Rico Nasty: Nightmare Vacation review – offbeat rapper is impossible to ignore

The high-volume delivery may be an acquired taste but there are gems to be found in this album of chaotic experimentalism

Flohio: No Panic No Pain review – rapper leaves no mould unbroken

The south London rapper broadens and deepens her emotional range, while continuing to select unexpected production partners

Cabaret Voltaire: Shadow of Fear review – a fittingly dystopian fantasy from Sheffield’s industrial pioneers

The first Cabaret Voltaire album in more than two decades feels oddly of the moment, their grim presentiments about disinformation, curfews and crackdowns fulfilled

Gorillaz: Song Machine Season One: Strange Timez review – playful and potent collaboration

Damon Albarn provides the melodic anchor to this pioneering album that balances concept and fun

Sun Ra Arkestra: Swirling review – out of this world

The Arkestra’s first album in 20 years is an intoxicating, cosmic tribute to Sun Ra

Ela Minus: Acts of Rebellion review – techno-pop for dancing, thinking and resisting

Making her debut album alone on analogue machines, Minus has come up with an inspiring manifesto for 2020

Autechre: Sign review – electronic masters soar and fall in negative space

A surprisingly melodic proper album is welcome from the electronic pioneers, but its dystopian soundworld is now in a crowded market

Jónsi: Shiver review – ethereal steel for strange times

Jónsi’s first album in a decade is a clever mix of crunchy electronica and floating vocals

Working Men’s Club review – synthpop of every stripe on outstanding debut LP

The West Yorkshire band take the stark electronics of the post-punk scene and warm them with Detroit techno and Italian house – while addressing Andrew Neil with mischievous one-liners

Róisín Murphy: Róisín Machine review – still inventing new moves

Pop outsider and lockdown living-room star Murphy distils her disco expertise and musical idiosyncrasies in songs pulsing with dancefloor power

Sleaford Mods review – a bracing stream of class consciousness

The Nottingham punk duo let rip with a battery of barbed lyrics, bizarre noises and back-to-basics beats

Sault: Untitled (Rise) review – mystery collective make best album of 2020, again

Just 12 weeks after their previous double album, the British group dance from sorrow to resistance, mixing fearless lyrics with house, funk and disco

Disclosure: Energy review – accidental elegies for empty dancefloors

With nightclubs closed during coronavirus, the third album from the British pop-house duo has an unwittingly mournful quality

Duma: Duma review – extreme Kenyan metalheads bring doom to the dancefloor

From Nairobi’s metal scene, Martin Kanja and Sam Karugu add techno to doom-laden guitars and distorted vocals on this exciting album

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  • Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival
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  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • The Alonetimes review – frenetic, funny and exhilarating music theatre
  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
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  • Ariadne/Dido and Aeneas review – English Touring Opera conjures two strikingly different mythological worlds
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  • Weird Baile: Collected Rips 2004-2024 review – a hallucinatory trip to baile funk’s outer limits
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  • Angèle: Instinct review – Belgium’s biggest star is determined to do pop differently
  • Stevie Wonder review – playing ​his greatest album in full, he knocks everyone sideways
  • The Mary Wallopers review – legs and pints go flying to the sound of rowdy folk ragers
  • Appl/Baillieu: Lines of Life review – gifted baritone blends Kurtág and Schubert
  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute
  • Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
  • Shostakovich Symphony No 8 album review – composer’s cry of despair in a remarkable and resonant new recording

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