Jessy Lanza: All the Time review – witching-hour jams
The Canadian producer takes a wicked turn in her deliciously offbeat third album
Jessy Lanza: All the Time review – a bright star in pop’s outer galaxies
Lanza’s enticing jumble of electronic experimentalism and R&B moves closer to the mainstream on her third album – you sense Janet Jackson would approve
Denai Moore: Modern Dread review – hypnotic, surrealist bid for freedom
Moore’s genre-blending electronic pop is an unsettling exploration of isolation and selfhood in an over-connected age
Arca: KiCk i review – joyful sonic vision of what pop could be
Alejandra Ghersi’s new set is a subversive and mischievous fusion of aural fireworks and psychedelic lyricism aided by Björk, Shygirl, Rosalía and Sophie
Kevin Figes Quartet: Changing Times review – constantly fascinating
The multi-instrumentalist’s latest quartet recording is a mind-expanding feast for the ears
Lady Gaga: Chromatica review – Gaga rediscovers the riot on her most personal album
Returning to the sound of her maximalist electro-pop heyday, Gaga explores buried trauma, mental illness and the complexities of fame on this return to form
Nídia: Não Fales Nela Que a Mentes review – intimate introspection from Lisbon producer
(Príncipe)Nídia shines in her new, more meditative album, showcasing a breadth of dance genres with a keen eye for emotion and turmoil
Moby: All Visible Objects review – misjudged and out of touch
Seeming to prefer penning candid memoirs to exploring new musical material, Moby’s 17th album has vitality but no novelty
Pole: 123 review – calming, abstract, minimal genius
This reissue of Stefan Betke’s first three albums shows how the electronic auteur turned a technical glitch into an innovative, intimate and warm style
Lorenzo Senni: Scacco Matto review – rave poet dials up the intensity
(Warp)The Italian producer charges the euphoria of dancefloor anticipation with punk spirit in these joyous, poignant tracks
Lea Bertucci: Acoustic Shadows review – mesmeric 4D sound
This musical piece of civil engineering was assembled from recordings made under a bridge in Cologne
DJ Python: Mas Amable review – ‘deep reggaeton’ pioneer mines lithe beats for heart and feet
(Incienso)Python’s deft, dancefloor-friendly explorations add deep-house chords and ambient susurrations to dembow, to heady effect
Minor Science: Second Language review – expectation-defying beats
Debut album cleverly morphs and melds its 90s palette without sliding into nostalgia, but there are occasional longueurs
Yaeji: What We Drew 우리가 그려왔던 review – dance music for an existential crisis
Straddling the blurry line between dream pop and DIY house, the Korean-American’s first full-length effort is a diaristic work of startling emotional clarity
Dua Lipa: Future Nostalgia review – a true pop visionary
Britain’s biggest female star tightens her grip on the crown with a viscerally brilliant second album