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Tricky review – a bizarre but brilliant enigma

After a year of tragedy, the spotlight-shy producer stays in the shadows during this erratic yet utterly mesmerising set

Sudan Archives: Athena review – Afro futurism goes mainstream

(Stones Throw)

Sŵn festival review – weirdness and wonder in Cardiff’s alt-pop paradise

Based everywhere from an Irish chain pub to an antiques centre, this slickly organised festival shows how varied and vibrant today’s indie scene is

Floating Points: Crush review – beauty out of chaos

(Ninja Tune)

Vagabon: Vagabon review – indie star is expansive yet intimate

Swapping crunching guitars for softer electronics, Laetitia Tamko’s second album is both sharp and tender

No Bounds festival review – from bassline to ambient at Sheffield weekender

With spectacular AV sets in a steelworks museum and immersive ambient in a swimming pool, local talent, international DJs and the city share equal billing

Tegan and Sara: Hey, I’m Just Like You review – adolescent angst in synthpop

(Warner Records)Reworked songs of teenage travails from the Quin twins, who go back to their youth in slick, pulsating pop

Sturgill Simpson: Sound & Fury review – country’s outlaw catches fire

Another big shift in direction for Simpson, with anime visuals, glam rock, disco and grunge ornamenting never-more-country lyrics: it’s extraordinary

Gary Numan review – terrace chants for thrashing synthpop star

The Numanoids are out in force for their idol, who throws in guitar and beefy rhythms for this 40th anniversary tour

Aphex Twin review – wild lights, jungle buzzsaw and a boo for Boris

The electronic music legend melted genres at breakneck speed in this peerless ambient-to-hardcore festival outing – to the delight of a young crowd

Sampa the Great: The Return review – new perspectives on rap’s age-old questions

She’s charismatic and her challenges to western orthodoxy are welcome, but Sampa needs to find a fresher sonic palette

Charli XCX: Charli review – a raw, rousing step towards superstardom

The embattled singer reveals her anxieties and coaxes brilliance from various guests in a candid, confident third album

Jóhann Jóhannsson: 12 Conversations with Thilo Heinzmann review – elegiac, spartan suite

Jóhannsson’s piece, inspired by artist Heinzmann, lacks the composer’s electronic trademarks, but it is full of poignant beauty in this reworking by Echo Collective

Octo Octa: Resonant Body review – upbeat, free-spirited electronica

Octo Octa’s trans journey is mirrored in her electronic palette, using crunching beats, ambience and supple synths on celebratory tracks

Blanck Mass: Animated Violence Mild review – grief, rage and transcendent electronica

Mourning the death of the planet and a parent, Ben Power has made an album that fuses terror and rage with sheer beauty

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  • Hugh Cutting/ Refound review – countertenor’s darkly compelling recital is an imaginative treat
  • MacMillan’s Christmas Oratorio review – a magical choral performance
  • Beare’s Chamber Music festival review: string supergroup dazzle with Schubert, Strauss and Schoenberg
  • Turandot review – Anna Netrebko brings greatness to Royal Opera’s classic staging
  • A Ceremony of Carols review – joy and Alleluias for Cardiff Polyphonic Choir
  • Pass the Spoon review – David Shrigley serves up a macabre kitchen opera
  • LSO/Pappano review – Musgrave’s Phoenix rises and Vaughan Williams’ London stirs the soul
  • Pavel Kolesnikov review – he is a virtuosic sculptor in sound
  • Taylor Swift: The End of an Era review – as she breaks down over the terror plot, it’s impossible not to feel her pain
  • Robert Plant’s Saving Grace review – self-effacing superstar still sounds astonishing
  • Ariodante review – dysfunctional royals and designer dresses in Handel with a disjunct
  • Hannigan/ Chamayou review – strange and beautiful musical magic
  • R&B Xmas Ball review – Toni Braxton melts hearts and Boyz II Men blow minds on trip back to the 90s
  • Last Days review – Leith’s opera imagining the final moments of Kurt Cobain is truly disturbing
  • La Rondine review – new version of Puccini’s opera makes aftertaste bitter rather than sweet
  • Lady Gaga review – the Mayhem Ball shows Mother Monster is still the reigning queen of spectacle
  • Kendrick Lamar review – with Doechii revving up the crowd, this is an extraordinary show for the ages
  • HMS Pinafore review – carry on up the poop deck in ENO’s daffy Gilbert and Sullivan staging
  • Melody’s Echo Chamber: Unclouded review – an enchanted, balmy garden of dreampop
  • Laura Cannell: Brightly Shone the Moon review – bleakness and beauty in a haunting carol collection
  • This Is Lorelei: Holo Boy review – sweet-sad songs from a new pearl of the US alt scene
  • Strauss: An Alpine Symphony; Four Songs Op 27 album review – nothing is overblown or indulgent
  • Nash Ensemble: Ravel album review – catches the music’s dazzling light and intriguing shade
  • Dove Ellis: Blizzard review – Irish indie enigma’s glorious debut justifies the buzz
  • Jamiroquai review – hat-sporting acid jazz superstars are slick but lack substance
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • Philharmonia/ Rouvali review – Fazil Say’s concerto sounds an urgent wakeup call
  • Cameron Winter review – Geese wunderkind whittles confident rearrangements in an intimate show
  • Wolf Alice review – indie chameleons sparkle on a glam-rock bender
  • Nicola Benedetti and friends review – delicious bite-sized musical snacks from a violinist still top of her game

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