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Grimes review – a suitably surreal invasion of the Miami Art Basel

The artist appeared among Florida’s monied art fiends with a pristine alternate-reality trip – and a gloriously flawed DJ set

Burial: Tunes 2011-2019 review – transmissions from an alternate universe

The producer’s collected post-Untrue EPs reveal him as one of the most evocative voices in British music

Hannah Diamond: Reflections review – gloriously overwrought

(PC Music)

Doon Kanda: Labyrinth review – welcome to the haunted fun fair

The designer and musician makes his mark using synthetic-sounding instruments to produce his spooky electronics

Omar Souleyman: Shlon review – the dabke-techno king is passionate as ever

The Syrian musician has released 500 records and now lives in exile in Turkey, but this short, sharp record shows an undimmed spirit

Chemical Brothers review – a glorious, meaningless sensory overload

Against huge projections of robots, disco balls and angels, the band deliver a rousing set that even makes the players themselves punch the air

Hannah Diamond: Reflections review – trance-pop rescued from good taste

On these melancholy bangers, the PC Music singer uses nursery rhyme-like melodies and a girlish sing-song delivery to essay the pain of being lovelorn and vulnerable

Björk review – a spectacular vision of Utopia

Writhing alien life forms engulf a set so elaborate it reduces the audience at the singer’s Cornucopia arena show to hushed awe. But her voice rings out clear

Arthur Russell: Iowa Dream review – lopsided, funky and staggeringly beautiful

This collection of unreleased tracks from the electronic pioneer is a treasure trove of Russell’s guileless, always melodic songs

Shanti Celeste: Tangerine review – club music with subtlety and depth

The Bristolian DJ and producer’s nuanced debut is an enveloping listen, folding softer textures into its 2am beats

Moor Mother: Analog Fluids of Sonic Black Holes review – raging protest poetry

The activist and musician overlays stunning sound collages with furious verses laying bare the lie of post-racial America

Beverly Glenn-Copeland review – a trance state of love, nature and spirituality

Now 75, the ambient composer is on his first world tour, playing spectral music that carries the audience to a higher plane

Underworld: Drift Series One: Sampler Edition review – a year’s worth of inspiration

In the last century, when buying music used to necessitate a physical product, John Peel favourites the Wedding Present once pulled off the seemingly incredible feat of releasing a single a month for a year. The advent of streaming and … Continue reading →

Jeff Lynne’s ELO: From Out of Nowhere review – it’s a pleasure to have him back

Lynne has come out of semi-retirement with an album of creamy harmonies and good-natured pop, firmly in the lineage of classic ELO

Tricky review – a bizarre but brilliant enigma

After a year of tragedy, the spotlight-shy producer stays in the shadows during this erratic yet utterly mesmerising set

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  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season
  • Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival
  • Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game
  • Bournemouth Symphony Orchestra / Wigglesworth review – phrasing with hospital corners
  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • The Alonetimes review – frenetic, funny and exhilarating music theatre
  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
  • RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline
  • 4.48 Psychosis review – a dazzling, harrowing opera worthy of Sarah Kane’s furious writing
  • Ariadne/Dido and Aeneas review – English Touring Opera conjures two strikingly different mythological worlds
  • PatKop & Say album review – playfulness and beguiling delicacy in mix of new and old
  • Worldpeace DMT: Stick Around for Tea review – ‘laptop twee’ duo keep things goofy but strengthen songs
  • Weird Baile: Collected Rips 2004-2024 review – a hallucinatory trip to baile funk’s outer limits
  • Mendelssohn: Songs Without Words review – Chamayou makes each piece feel somehow familiar yet fresh
  • Angèle: Instinct review – Belgium’s biggest star is determined to do pop differently
  • Stevie Wonder review – playing ​his greatest album in full, he knocks everyone sideways
  • The Mary Wallopers review – legs and pints go flying to the sound of rowdy folk ragers
  • Appl/Baillieu: Lines of Life review – gifted baritone blends Kurtág and Schubert
  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute

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