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Sudan Archives: Athena review – Afro futurism goes mainstream

(Stones Throw)

Sŵn festival review – weirdness and wonder in Cardiff’s alt-pop paradise

Based everywhere from an Irish chain pub to an antiques centre, this slickly organised festival shows how varied and vibrant today’s indie scene is

Floating Points: Crush review – beauty out of chaos

(Ninja Tune)

Vagabon: Vagabon review – indie star is expansive yet intimate

Swapping crunching guitars for softer electronics, Laetitia Tamko’s second album is both sharp and tender

No Bounds festival review – from bassline to ambient at Sheffield weekender

With spectacular AV sets in a steelworks museum and immersive ambient in a swimming pool, local talent, international DJs and the city share equal billing

Tegan and Sara: Hey, I’m Just Like You review – adolescent angst in synthpop

(Warner Records)Reworked songs of teenage travails from the Quin twins, who go back to their youth in slick, pulsating pop

Sturgill Simpson: Sound & Fury review – country’s outlaw catches fire

Another big shift in direction for Simpson, with anime visuals, glam rock, disco and grunge ornamenting never-more-country lyrics: it’s extraordinary

Gary Numan review – terrace chants for thrashing synthpop star

The Numanoids are out in force for their idol, who throws in guitar and beefy rhythms for this 40th anniversary tour

Aphex Twin review – wild lights, jungle buzzsaw and a boo for Boris

The electronic music legend melted genres at breakneck speed in this peerless ambient-to-hardcore festival outing – to the delight of a young crowd

Sampa the Great: The Return review – new perspectives on rap’s age-old questions

She’s charismatic and her challenges to western orthodoxy are welcome, but Sampa needs to find a fresher sonic palette

Charli XCX: Charli review – a raw, rousing step towards superstardom

The embattled singer reveals her anxieties and coaxes brilliance from various guests in a candid, confident third album

Jóhann Jóhannsson: 12 Conversations with Thilo Heinzmann review – elegiac, spartan suite

Jóhannsson’s piece, inspired by artist Heinzmann, lacks the composer’s electronic trademarks, but it is full of poignant beauty in this reworking by Echo Collective

Octo Octa: Resonant Body review – upbeat, free-spirited electronica

Octo Octa’s trans journey is mirrored in her electronic palette, using crunching beats, ambience and supple synths on celebratory tracks

Blanck Mass: Animated Violence Mild review – grief, rage and transcendent electronica

Mourning the death of the planet and a parent, Ben Power has made an album that fuses terror and rage with sheer beauty

Ami Dang: Parted Plains review – intense sitar ambience on a raga tip

Dang’s self-assured album brings elements of unease to stillness, with keening melodies and multilayered sounds

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  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season
  • Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival
  • Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game
  • Bournemouth Symphony Orchestra / Wigglesworth review – phrasing with hospital corners
  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • The Alonetimes review – frenetic, funny and exhilarating music theatre
  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
  • RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline
  • 4.48 Psychosis review – a dazzling, harrowing opera worthy of Sarah Kane’s furious writing
  • Ariadne/Dido and Aeneas review – English Touring Opera conjures two strikingly different mythological worlds
  • PatKop & Say album review – playfulness and beguiling delicacy in mix of new and old
  • Worldpeace DMT: Stick Around for Tea review – ‘laptop twee’ duo keep things goofy but strengthen songs
  • Weird Baile: Collected Rips 2004-2024 review – a hallucinatory trip to baile funk’s outer limits
  • Mendelssohn: Songs Without Words review – Chamayou makes each piece feel somehow familiar yet fresh
  • Angèle: Instinct review – Belgium’s biggest star is determined to do pop differently
  • Stevie Wonder review – playing ​his greatest album in full, he knocks everyone sideways
  • The Mary Wallopers review – legs and pints go flying to the sound of rowdy folk ragers
  • Appl/Baillieu: Lines of Life review – gifted baritone blends Kurtág and Schubert
  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute

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