Chromeo: White Women – review
There's serious songwriting chops beneath Chromeo's provocative Helmut Newtonisms and tongue-in-cheek delivery, writes Lanre Bakare
Eno · Hyde: Someday World review – an alluring but sketchy soundclash
Brian Eno and Underworld's Karl Hyde collaborate on an album of contrasting elements that come together well – for the most part, writes Lanre Bakare
Moogfest 2014 review: MIA, Pet Shop Boys and Kraftwerk hit North Carolina
Asheville's annual electronic music festival and conference celebrated a decade with big performances, blown speakers and an alien landing
Quadron: Avalanche review – R&B that wafts, not fizzes
Lead singer Coco O's vocals are a joy, but the Danish neo-soulsters have only produced a middling second album, writes Charlotte Richardson Andrews
Wye Oak: Shriek review – beautifully crafted but unexceptional synth-pop
Wye Oak have swapped indie-folk for electronic pop on their new album, but they don't quite have the songs to match the sound, writes Dave Simpson
Sohn review – ‘intense and mournful electronic soul’
Sohn's steady, clean voice is adept at riding melancholic climaxes, but it's the lighter songs that reveal his sure pop touch, writes Betty Clarke
A Factory Night review – ‘Section 25: the best new/old band in Britain?’
Former Factory acts Crispy Ambulance and Minny Pops are reformed and re-energised, while Bethany Cassidy gives the family group a brilliant makeover, writes Dave Simpson
Klaxons review – ‘A peculiar new brand of electronic pomp’
The Mercury prize-winners' oddball collection of acid-fried electro-rock and dreamy rave from their forthcoming album Love Frequency leads Klaxons back to the dance floor, writes Kate Hutchinson
Sohn: Tremors review – crisp, serene soundscapes but too much melodrama
Christopher Taylor's icy, pristine electronica is hampered by its offputtingly overwrought emotional intensity, writes Harriet Gibsone
Ellis Island Sound: Regions review – ‘Fine, slinky riffs’
African-style guitars, dub effects, trombone riffs and driving percussion combine winningly in this cool ambient set
Trust: Joyland review – ‘The sound of a Berlin pleasure dungeon’
Synth-pop has many cold-wave mimics, but Trust's Robert Alfons has the songs to stand out from the crowd, writes Tim Jonze
Todd Terje: It’s Album Time review – worth the 10-year wait, but only in parts
Alexis Petridis: It's taken Todd Terje 10 years to make his debut album, and in parts it's worth the wait, but he does like to make things hard for himself
Banks review – ‘A bedsit bootstrapper worshipping at the temple of doom-sex’
Jillian Banks' spidery electronic soul is sparse in intention, but she makes it surprisingly demonstrative live, writes Graeme Virtue
Vermont: Vermont review – ‘Complex and ambiguous’
House producers Marcus Worgull and Danilo Plessow's hotly awaited collaboration is idiosyncratic, varied, beautifully nuanced and compelling, says Alexis Petridis
Chvrches give their verdict on the latest new-tech instruments
The Glasgow-based electro-pop band, fifth in the BBC's Sound Of 2013 new music list, get their hands on a string of musical inventions