Mø: No Mythologies to Follow review – Scandipop that mixes big tunes with leftfield sounds

From punk to crunk to ghostly electronica, Danish singer Karen Marie Ørsted throws all kinds of influences into her sound, to often hypnotic effect, writes Tim Jonze

Wild Beasts: Present Tense – review

Below the surface of the Wild Beasts' understated fourth album lie drama and subtlety in equal measure, writes Phil Mongredien

St Vincent: St Vincent – review

Annie Clark's fourth St Vincent album, mixing funk, electro and epic songs, is her most accessible work to date, writes Kitty Empire

Brad Mehldau/ Mark Guiliana/ Mehliana: Taming the Dragon – review

Brad Mehldau gets down and dirty on a remarkable new album from the electronics duo he formed with Mark Guiliana, writes John Fordham

Breton: War Room Stories – review

London quintet Breton have swapped their hip-hop leanings for a strings-and-synths sound on their dancefloor-friendly second album, writes Tshepo Mokoena

Neneh Cherry: Blank Project – review

Those who only know Neneh Cherry's pop hits might be surprised by this decidedly leftfield album, but it's a bold work that suits her well, writes Alexis Petridis

Poliça; Bill Callahan – review

Poliça sound better in your head than live, while Bill Callahan's unflinching songs gain their own weather systems, writes Kitty Empire

Rudimental – review

Joined by a robust supporting cast – including Prince's new BFF Lianne La Havas – the London quartet deliver a ramshackle yet oddly cohesive sold-out party, writes Caroline Sullivan

Poliça/Marijuana Deathsquads – review

Two Minneapolis bands provide a seductive pulse and a wilful racket respectively – but the former needs a killer hook or two, writes Ian Gittins

Katy B: Little Red – review

Katy B's authentic dancefloor savvy now comes with a few more cares of the world, writes Kitty Empire

Maxïmo Park – review

Tyneside's dynamic indie giants add an electronic twist to their latest songs, served up with their trademark wit and energy, writes Mark Beaumont

Planningtorock: All Love’s Legal – review

Jam Rostron's hymn to dance music's gay roots is both cerebral and stirring, writes Kitty Empire

Maximo Park: Too Much Information – review

Maximo Park's bookish indie romanticism gets a bit of an electronic makeover on their fifth album, and they sound in fine form, writes Caroline Sullivan

Young Fathers: Dead – review

This Edinburgh-based trio stir up a globalised, magpie-ish stew of hip-hop, electronica and leftfield pop that partly recalls the pioneering spirit of Massive Attack, writes Alexis Petridis

Icebreaker: Kraftwerk Uncovered – review

This British chamber ensemble delves into early Kraftwerk – and invents something more interesting, writes John Lewis