Actress: Ghettoville – review Inside Actress's narcotic murk, sinuous melodies lurk, writes Kitty Empire
Mogwai – review The Scots heavy instrumentalists's eclectic mix of delicate melodies and thundering noise is at once deafening and charming, writes Dave Simpson
Actress: Ghettoville – review Whether or not you call Darren Cunningham's fourth album techno, its genre-bending dystopian vibe impresses Tim Jonze
East India Youth: Total Strife Forever – review William Doyle may hop between electronic genres on his debut album but excels at all of them, writes Kitty Empire
James Vincent McMorrow: Post Tropical – review James Vincent McMorrow's second album sees him broadening his palette to multitracked, often magnificent ends, writes Ally Carnwath
Marijuana Deathsquads: Oh My Sexy Lord – review This genre-busting voyage hurls in everything from dark psychedelic electronic drum'n'bass to pastoral progressive rock, writes Dave Simpson
East India Youth: Total Strife Forever – review East India Youth's William Doyle is like a James Blake you don't want to pack off to national service, writes Tim Jonze
Patterns: Waking Lines – review Caroline Sullivan: Head-turning electronica debut melding distortion, dreampop – and minds. At times derivative but watch this woozy space
Factory Floor – review The inscrutable electronic trio's songs were just as expansive as on record, but a lot warmer in the flesh, writes Graeme Virtue
bEEdEEgEE: Sum/One – review The debut set by Gang Gang Dance's Brian DeGraw nods to clubland's commercial and esoteric wings, writes Kitty Empire
‘Nina Kraviz finds herself cast as techno’s Miley Cyrus, excoriated by bitter bedroom producers’ This week's new tracks, including Nina Kraviz, Chvrches, and These Hidden Hands
Disclosure – review An emphasis on musicality distinguishes fresh-faced revivalists Disclosure from the dance pack, writes Kitty Empire
Little Boots – review Pop's nearly woman evokes Kylie and Lady Gaga, but ultimately brings a wide-eyed intensity all her own, writes Caroline Sullivan
Seams: Quarters – review James Welch operates like a sonic painter, building his electronic tracks up from sketches, writes Dave Simpson
The Naked and Famous – review Relentlessly propulsive, the Auckland five-piece deliver their trademark soaring vocals and synth bombast