Neon Neon: Praxis Makes Perfect – review
Swooshing synth-pop and biographical songs about Giangiacomo Feltrinelli come together at last on Neon Neon's second album, writes Maddy Costa
Karl Hyde: Edgeland – review
Underworld's Karl Hyde turns in a strangely underpowered solo album, writes Killian Fox
Major Lazer: Free the Universe – review
The second album from DJ Diplo's dancehall side project will put off the purists, writes Killian Fox
Owiny Sigoma Band: Power Punch – review
A second set of traditional Kenyan styles and British electronica proves how well this collaboration works, writes Robin Denselow
Major Lazer: Free the Universe – review
The Diplo-fronted Jamaican music homage have taken the laidback policy to updating their sound, writes Paul MacInnes
Coma: In Technicolor – review
Marius Bubat and Georg Conrad's debut album sums up why Kompakt have been in business for 20 years, writes Alex Macpherson
James Blake – review
James Blake inventively marries singer-songwriter sensibility with cutting edge electronica in a mesmerising set, writes Ian Gittins
Kairos Quartett – review
The Kairos Quartett's programme of electro-acoustic works had moments of magic, writes Andrew Clements
James Blake: Overgrown – review
James Blake offers more of the same on his second album, although the likes of Kanye West and Brian Eno exert an influence this time around, writes Kitty Empire
The Knife: Shaking the Habitual – review
The Knife's fourth album cuts cerebral references with primal urges to winning effect, writes Kitty Empire
OMD: English Electric – review
More than 30 years on, OMD are still capable of crafting shiny, upbeat songs shot through with melancholia, writes Paul Mardles
The Knife: Shaking the Habitual – review
The Knife have ditched pop songs in favour of Foucault quotes and 19-minute drones. It's as hard work as it sounds, writes Alexis Petridis
Owiny Sigoma Band – review
Free download from the Kenyan band whose signature nyatiti lyre is never far from a keyboard bleep or computerised drum loop, says Clyde Macfarlane
Haiku Salut: Tricolore – review
Odd pairings of style abound on this all-instrumental Beirut-like album, with deliciously fresh results, writes Michael Hann
Deptford Goth: Life After Defo – review
The debut album by Daniel Woolhouse, aka Deptford Goth, sounds like Bon Iver gone post-dubstep, writes Kitty Empire