Unsound Adelaide: Tim Hecker and Daniel Lopatin; Robin Fox; Raime; Trinity – review
Caspar Llewellyn Smith: The first night of Unsound at the Adelaide festival was suitably bracing
Severed Heads – review
Queen's Theatre, Adelaide
Bastille – review
Fists pump the air to Bastille's familiar-sounding tales of the rollercoaster between oblivion and depression, writes Dave Simpson
Rhye: Woman – review
Songs to lose yourself in: a paradise of loveliness created using saxophones, clicking beats and languid basslines, writes Dave Simpson
John Grant: Pale Green Ghosts – review
John Grant's former lover gets it from both barrels on the singer-songwriter's second album – but to profoundly beautiful music, writes Alexis Petridis
Chvrches – review
Glasgow trio Chvrches make accessible electro-pop that's only just short of truly brilliant, writes Kitty Empire
Atoms for Peace – review
Only Thom Yorke and Nigel Godrich turned up, but their sound bodes well for the group as a whole, writes Ian Gittins
Atoms for Peace: Amok – review
Thom Yorke and Flea from the Red Hot Chili Peppers have formed a supergroup … but wait, it's not all bad news, writes Alexis Petridis
AlunaGeorge – review
AlunaGeorge impress with jubilant R&B and perfect skewed pop – but the big time still beckons, writes Betty Clarke
Matmos: The Marriage of True Minds – review
Matmos's ninth album features some of the most idea-dense electronica around, writes Hermione Hoby
Jamie Lidell: Jamie Lidell – review
A fresh start in life has inspired Lidell to explore his love of 80s funk, as well as smooth homages to Prince, writes Caroline Sullivan
Matmos: The Marriage of True Minds – review
This bizarre experiment in the paranormal embraces didgeridoo, symphonic music and human responses to noise, writes Dave Simpson
Kraftwerk at Tate Modern, night seven: The Mix
Michael Hann: Kraftwerk's The Mix album supports the idea that they're about the present, not the future – but it does frontload their show
Kraftwerk – review
The first two night's of Kraftwerk's London residency underline how far ahead of their time they were, writes Kitty Empire
The Asphodells: Ruled by Passion Destroyed by Lust – review
Andrew Weatherall rarely misses a beat, but this hypnotic album could be his best for years, says Hermione Hoby