Bobby Womack – review

It was a set of two in incompatible halves in which electronica and hip-hop gave way to Sam Cooke and Womack's own eloquent classics, writes Dorian Lynskey

Crystal Castles – review

The experimental duo's brain-splitting volume disguises the fact that Crystal Castles do little more than lace Prodigy rave with cheerleader chants, writes Mark Beaumont

Flying Lotus – review

Steven Ellison's stripped-back, brooding, digital dystopia gains a strong physical presence – and a huge following – when played live, writes Ian Gittins

The Weeknd: Trilogy – review

Listening back to this collection of all the Weeknd's material to date kills the mystique a little, but it's still striking stuff, says Paul MacInnes

Herbie Hancock – review

Watching Herbie Hancock tinker around on stage for two hours is still an utter delight, writes John Lewis

Brian Eno: Lux – review

Brian Eno's latest solo album is a pleasant sound-cloud of synth ambience, but there's not much substance to it, writes Caroline Sullivan

Lindstrøm: Smalhans – review

A concise return to Lindstrøm dancefloor values, with chunky disco basslines and waves of blissed-out melodies, writes Alex Macpherson