Everything Everything – review
The math-rock maestros mix cred and cringe in influences from Radiohead to Coldplay, and are finessing their sound to future arenas already
Leona Lewis: Glassheart – review
Leona Lewis has found the sweet spot where her powerhouse voice blends well with elements of house and dubstep, writes Caroline Sullivan
Aphex Twin – review
Richard D James, aka Aphex Twin, has invented a new instrument on which to improvise – a live orchestra, writes Chris Michael
Ultravox – review
Poised between the sublime and the ridiculous, Ultravox have certainly not lost their penchant for the overblown, writes Ian Gittins
No Doubt: Push and Shove – review
No Doubt's 11-year hiatus has been little noted, but their return album is cause for a small celebration, writes Caroline Sullivan
Lau: Race the Loser – review
British folk's most musically adventurous trio mix electronic music with their exquisite instrumental work, writes Robin Denselow
Flying Lotus: Until the Quiet Comes – review
The LA producer's fourth album is packed full of ideas but they don't always feel like fully fleshed-out compositions, writes Alex Macpherson
Deadmau5: Album Title Goes Here – review
Alexis Petridis: Dance music has finally conquered the US, and Deadmau5 is its biggest star – but does he really hate the whole scene?
Example – review
An Achilles tendon problem means Example isn't quite his usual bouncy self at his iTunes festival gig, writes Caroline Sullivan
The Gaslamp Killer: Breakthrough – review
Unusually for someone at the forefront of LA's electronic music scene, much of this powerful and hypnotic album is "organic" or even "retro", writes Paul MacInnes
The xx: Coexist – review
The xx's second album is 'another masterpiece of lush ascetism', writes Kitty Empire
Rustie – review
The sublime techno producer Rustie makes that rare thing – headphone music that lends itself to mass public consumption, writes Ian Gittins
Two Door Cinema Club: Beacon – review
Two Door Cinema Club largely stick to the sound that made them huge on this second album, writes Dave Simpson
Dan Deacon: America – review
The American composer's paean to his homeland is a feelgood triumph, says Kitty Empire
Nathan Fake: Steam Days – review
The influence of Four Tet is palpable on Nathan Fake's third album of fluent post-techno, writes Kitty Empire