John Maus – review

Maus pogos, headbangs and gives vent to a succession of feral howls over polished, carefully yearning synth-pop, writes Ian Gittins

CocoRosie – review

CocoRosie's forte is magical-realism pop pitched at the juncture where kooky spills into spooky, writes Ian Gittins

Planningtorock – review

For her Meltdown performance, Janine Rostron cloaks her charm in menace and mystery, writes Stevie Chick

Holograms: Holograms – review

The beauty – or otherwise – of this gothy, poppy Swedish quartet is all in the eye of the beholder, writes Maddy Costa

Atlas Sound – review

The music is so transportingly gorgeous that whenever Bradford Cox speaks again it's like being snapped out of a daydream, writes Dorian Lynskey

Purity Ring: Shrines – review

Montreal duo Purity Ring match synth-pop swirls with oddly catchy tunes, and deliver them with a joyous glee, writes Dave Simpson

Cooly G: Playin’ Me – review

South London producer/MC Cooly G's debut album is a superb, risk-taking mix of the nonchalant and the extra-terrestrial, writes Alexis Petridis

Yeasayer – review

Yeasayer's bright shards of Duran Duran, Red Box, the Thompson Twins and Wax leap to the fore in a live setting, writes Mark Beaumont

Twin Shadow: Confess – review

More influenced by motorbikes than melancholy, George Lewis Jr's second album as Twin Shadow is top-notch electro-pop, writes Ally Carnwath

Erykah Badu – review

Treating her back catalogue like a living, breathing entity, Erykah Badu was on robust form, writes Alex Macpherson