Ricardo Villalobos & Max Loderbauer: Re: ECM – review
Alex Macpherson hears a hedonist technohead's take on a modern jazz and classical label's catalogue
SBTRKT: SBTRKT – review
Aaron Jerome's debut as SBTRKT hits on a stylistic precision, says Hazel Sheffield
Naldjorlak – review
Christ Church, with its constant traffic noise and police sirens, was not perhaps the best place to appreciate music that often dwells on the edge of audibility, writes Andrew Clements
Patrick Wolf: Lupercalia – review
Patrick Wolf's contentment with his love life shines through on his jubilant fifth LP, writes Hermione Hoby
Digitalism: I Love You, Dude – review
Dance rockers Digitlaism do what they did before. It all gets a bit too familiar for Michael Cragg
LED festival – review
Deadmau 5's stadium-techno barrage was the final validation of LED festival's U-turn back to catering for the Ibiza massive, writes Ian Gittins
This week’s new singles
Light Asylum | Beyoncé | Bass Clef | Bok Bok | Mike Posner Feat Lil Wayne
Ladytron – review
The masterful Ladytron's loyally enthusiastic audience can't conceal that half of the venue stands empty, writes Ian Gittins
Tom Vek: Leisure Seizure – review
Nobody else writes songs like electro whiz-kid Tom Vek – too bad about the voice, writes Dave Simpson
Chrissy Murderbot: Women’s Studies – review
Chicago DJ Chrissy Murderbot has made an enthusiastic, good-natured and likable album, says Alex Macpherson
Friendly Fires: Pala – review
Friendly Fires mix rave dynamics with soaring indie to good effect on their second album, writes Kitty Empire
Sufjan Stevens – review
With typical panache Stevens has turned his new introspective, troubled glitch-pop into an epic live production, writes Ian Gittins
Moby: Destroyed – review
There's little cheer in Moby's reflections on life on tour, finds Caroline Sullivan
Austra: Feel It Break – review
Chilly synths and cut-glass vocals from Toronto win Michael Hann's approval
Friendly Fires – review
Based on tonight's evidence, Friendly Fires' tunes say 'party' in a way festival crowds will find hard to resist, writes Caroline Sullivan