Gang Gang Dance: Eye Contact – review
Partying triumphs over pretension on this arty New York troupe's jubilant fifth LP, writes Kitty Empire
Hyetal: Broadcast – review
Hyetal makes the move from club-friendly one-offs to full-length album with ease, says Alex Macpherson
Metronomy: The English Riviera – review
Metronomy's whimsical Devonshire take on 70s Californian pop features their best songwriting to date, says Gareth Grundy
The Naked and Famous; Big Audio Dynamite – review
Hotly tipped quintet the Naked and Famous prove more than the sum of their influences, while Big Audio Dynamite are still a joy, writes Kitty Empire
The Human League: Credo — review
Oakey and co update the beats… and retain the magic, writes Molloy Woodcraft
The Human League: Credo – review
Once they were futurists, now Caroline Sullivan fears the Human League are just following retro fashions
Crystal Fighters
The disparate elements of throbbing electronica and haunting folk sometimes grate, but when they coalesce they can be thrilling, writes Ian Gittins
Primal Scream – review
Primal Scream do justice to their finest hour with a night of epic celebration that mourns Britain's lost optimism, writes Dave Simpson
Chase & Status – review
The lowest-common-denominator beats and formulaic repetition made their last album an unsatisfying experience but Chase & Status come into their element live, writes Ian Gittins
Blancmange: Blanc Burn – review
80s synthpoppers return after 26 years with startling success. By Caroline Sullivan
Gold Panda – review
There's no denying Gold Panda's musical dexterity, but he's no showman, writes Paul Lester
Jason Derülo – review
The all-singing and dancing Jason Derülo seems laboratory-calculated to keep teenage girls screaming. It's all brutally cynical, but very enjoyable, writes Dave Simpson
Nicolas Jaar: Space Is Only Noise – review
It's a ridiculously pretentious and undanceable dance album, so why is Michael Cragg entranced by Nicolas Jaar's debut?
The Dirtbombs: Party Store – review
A garage punk band plays techno? It's crazy, but it might just work, reckons Michael Hann
Cut Copy: Zonoscope – review
Dave Simpson has fun with the cut-and-paste Australian electropoppers