Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Rally festival review – thrilling blend of cult DJs and indie darlings

Mount Kimbie’s electro-acoustic jams capture the ethos of this celebration of the boundary pushing that included sets from Two Shell, Nilüfer Yanya and bar italia

The week in classical: Prom 37: Britten’s War Requiem; The Turn of the Screw – review

Britten’s explosive work is a rallying cry at the Proms, while a twilit production of his chamber opera feels properly ghostly

São Paulo Symphony Orchestra/Fischer review – a rich and colourful library of music

In Europe for the orchestra’s 70th anniversary, Thierry Fischer leavens an epic Alpine Symphony and a taxing Ginastera Violin Concerto with a showstopping Carmen Fantasie

Prom 38: Gabetta/BBCSO/Lu review – Francisco Coll premiere roams deliriously wide

The composer’s Cello Concerto, written for and performed by Sol Gabetta, was perfectly precise in conductor Tianyi Lu’s hands, despite its dizzying technical demands on soloist and orchestra

Green Man festival review: Sherelle sets the tone, Big Thief are a big hit and Sampha closes in style

With the sun out, an inclusive atmosphere and a stellar lineup also featuring Porridge Radio, Lonnie Holley and Blonde Redhead, is this Britain’s best festival of the year?

Prom 31: West-Eastern Divan Orchestra/Barenboim review – an unforgettable and heroic return

Two years after he stepped back from performance, the conductor was back at the Proms – far frailer, but still able to conjure an instant response with a tiny flick of the baton

Prom 25: BBC Philharmonic/Storgårds review – the best new work of the season?

The centrepiece of a programme of Schumann, Sibelius and Tchaikovsky was Hans Abrahamsen’s seamlessly inventive Horn Concerto, played immaculately by Stefan Dohr

Prom 21: John Wilson/Sinfonia of London review – sharp-tailored fanfare leads a million-dollar parade of US music

Wynton Marsalis’s brass and percussion fanfare lit up the Albert Hall, with the phenomenal Sinfonia adding extravagant sparkle

La Pasión Según San Marcos review – Golijov’s riot of rhythm and colour gets Edinburgh off to a thrilling start

Osvaldo Golijov’s remarkable take on Bach’s St Matthew Passion exhilarates with its singular mix of textures, styles and movement, brought together into a triumphant mass by conductor Joana Carneiro

Womad festival review – wildly entertaining treasure trove for adventurous music fans

Radically inclusive global lineup includes Sampa the Great’s feminist pizzazz, Young Fathers’ twisted genre-splicing and Bixiga 70’s full-tent conga

Wireless festival review – Ice Spice, Asake and Doja Cat triumph on gappy bill

With some regrettable absences and a premature close, the weekend is redeemed by explosive sets and starry surprise guests such as Central Cee

Il trionfo del Tempo e del Disinganno review – imaginative staging transforms Handel’s oratorio

Its sermonising libretto was never meant to be this much fun, but in Jacopo Spirei’s characterful production, with Christian Curnyn conducting, Hilary Cronin’s delightfully truculent Pleasure emerges as the moral heart of the piece

Ernani review – sterling singing triumphs over Verdi’s implausible plot

Shifted from 16th-century Spain to a present-day oligarchy by director Jamie Manton, the titular aristocrat turned bandit is hell bent on love and revenge

SZA at Glastonbury review – electric eclecticism from today’s greatest R&B star

Her show may be situated in a fantastical world full of insects, swords and fallen trees, but the US singer’s lyrics are earthy and induce bedlam in her devoted fans

Coldplay at Glastonbury review – Chris Martin takes tens of thousands on the adventure of a lifetime

Fireworks! Lasers! Confetti! More fireworks! Coldplay pull out every last stop for their record fifth headline performance, and you’d be churlish not to love it

Post navigation

← Older posts
Newer posts →
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

Contact www.freakyparty.net   Terms of Use