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Kasabian’s secret set at Glastonbury review – indie hits belted out to a bumper crowd

Surprise act Serge Pizzorno and co whomp through hits such as Club Foot and Shoot the Runner

Dua Lipa at Glastonbury review – headliners are rarely this hook-laden and hedonistic

The British singer’s Friday night set underlines her claim to be one of the world’s great current pop stars, with a cast-iron hit always around the corner

Nardus Williams/Elizabeth Kenny review – compelling and crystalline duo open Spitalfields festival

Premiering Roderick Williams’ song cycle about Black Tudors alongside songs from the period itself, the rising-star soprano was elegant, while the uber-lutenist poured her solos like liquid

Sumidagawa/Curlew River review – Britten’s work reunited with its medieval Japanese inspiration

New staging of Britten’s work, first seen at the Aldeburgh festival 60 years ago, complemented by authentic Noh play

Download festival review – the rock fest’s most cursed year ever

Plagued by rain, technical issues and boycotts – as well as by some distinctly non-metal headliners – the weekend is practically a washout, despite some virtuoso shredding and fiery melodeath lower down the bill

Chaka Khan review – queen of funk sounds as majestic as ever

The peerless 71-year-old opens this year’s Meltdown festival sounding very much like the Chaka Khan of the 70s and 80s used to, and performs 50 years’ worth of potent disco, soul and jazz classics with effortless vibrancy

The week in classical: Carmen; Celebrating 22 Years of Antonio Pappano – review

Glyndebourne hits 90 with Bizet’s sultry crowd-pleaser. Elsewhere, a starry farewell to a much loved maestro, and the fight to save Welsh National Opera

Doja Cat at Coachella review – an electrifying tour de force

Festival headliner delivered an A-game set, ignoring some of her mainstream hits yet bringing enough energy to power what some have called a middling year

Leeds Lieder festival Opening Gala review – a good old-fashioned Schubertiade

The song festival – with Arts Council funding reinstated – opened with a meaty all-Schubert programme full of delights and camaraderie

Tyler, the Creator at Coachella review – an exhilarating, high-stakes spectacle

The mischievous rapper delivered a late headliner set with a parade of guests yet the commanding star remained the focus

No Doubt at Coachella review – a joyous, high-energy reunion

The ska-pop band performed onstage for the first time since 2015 and, together with surprise special guest Olivia Rodrigo, delivered a thrilling set

Lana Del Rey at Coachella review – a disappointingly lifeless start to the festival

This year starts off on a bum note with the singer’s downbeat energy and underpowered vocals proving to be a buzzkill while even special guest Billie Eilish couldn’t save the day

Golden Plains 2024: a scorching sweet 16 for Australia’s best festival

The Streets, Regurgitator, King Stingray and RVG delivered memorable performances as complete strangers took care of one another amid the heatwave

The week in classical: West-Eastern Divan Ensemble; Meliora Collective; Sitkovetsky Trio – review

Michael Barenboim’s Israeli-Arab ensemble offer a model of spirited understanding, and a young new collective conjure a touch of jazz. Plus, Beethoven at his spookiest

Harvest Rock review – Beck and Jamiroquai headline Adelaide’s safe, crowd-pleasing festival

Nile Rodgers and Sparks steal the show at the South Australian government-backed music festival that leans on nostalgia and food and wine

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  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
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  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

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