The British singer’s Friday night set underlines her claim to be one of the world’s great current pop stars, with a cast-iron hit always around the corner
Premiering Roderick Williams’ song cycle about Black Tudors alongside songs from the period itself,the rising-star soprano was elegant, while the uber-lutenist poured her solos like liquid
Plagued by rain, technical issues and boycotts – as well as by some distinctly non-metal headliners – the weekend is practically a washout, despite some virtuoso shredding and fiery melodeath lower down the bill
The peerless 71-year-old opens this year’s Meltdown festival sounding very much like the Chaka Khan of the 70s and 80s used to, and performs 50 years’ worth of potent disco, soul and jazz classics with effortless vibrancy
Glyndebourne hits 90 with Bizet’s sultry crowd-pleaser. Elsewhere, a starry farewell to a much loved maestro, and the fight to save Welsh National Opera
Festival headliner delivered an A-game set, ignoring some of her mainstream hits yet bringing enough energy to power what some have called a middling year
This year starts off on a bum note with the singer’s downbeat energy and underpowered vocals proving to be a buzzkill while even special guest Billie Eilish couldn’t save the day
Michael Barenboim’s Israeli-Arab ensemble offer a model of spirited understanding, and a young new collective conjure a touch of jazz. Plus, Beethoven at his spookiest