William Berger: Insomnia – review
An idiosyncratic but very fine debut album that depicts a sleepless night in the life of a man separated from his mistress, writes Tim Ashley
Schubert: String Quartets D87 & D887 – review
The Cuarteto Casals shine in these two great works bookending Schubert's career, writes Fiona Maddocks
Schubert: Operatic Overtures – review
The overtures to Schubert's early stage works show that the master of lieder took time to find his feet, writes Stephen Pritchard
Gould Piano Trio – review
The Goulds produced majestic, cantabile playing, charting perfectly Beethoven's development from young lion to mature master, writes Rian Evans
Janine Jansen string sextet – review
Schubert's String Quintet in C is the Beethoven's Ninth of chamber music – and this was an overwhelming performance of it, writes Martin Kettle
Northern Sinfonia/Zehetmair – review
Thomas Zehetmair has shaved 10 minutes off the Sinfonia's rendition of Schubert's "great" symphony, writes Alfred Hickling
Mitsuko Uchida – review
Playing Schubert's last three piano sonatas in a single recital is a huge challenge but Uchida's performance was spellbinding, writes Andrew Clements
Riccardo Primo, re d’Inghilterra; The Spirit of Schubert – review
A Handel rarity proved a rollicking showcase for up-and-coming talent. And had enough Schubert now? asks Fiona Maddocks
Florian Boesch/Malcolm Martineau – review
Boesch and Martineau reunited triumphantly for a performance of another Schubert song cycle, writes Tim Ashley
Paul Lewis – review
St George's voted with its feet for the growing authority of Paul Lewis's series on Schubert's late piano music, writes Rian Evans
Schubert: Schwanengesang – review
There's an uncompromising emotional rawness in Christopher Maltman's singing that make for very disquieting listening, writes Tim Ashley
Something Almost Being Said: Music of Bach and Schubert – review
Nicholas Kenyon admires the spirit of this coupling of Bach and Schubert, if not its execution
Schubert: Wilkommen und Abschied – review
Werner Güra and Christoph Berner's Schubert song cycle is outstanding, writes Fiona Maddocks
Schubert: Symphony No 7 (‘Unfinished’), Rondo, Concerto, Polonaise – review
Schubert's Unfinished Symphony isn't the main draw on this attractive disc of music for violin by Schubert, writes Nicholas Kenyon
Nikolai Demidenko – review
Russian pianist Nikolai Demidenko remained a picture of contained restraint at the platform, but his playing was superbly expressive, writes George Hall