Meneses/Pires – review
Regular recital partners Maria João Pires and Antonio Meneses were on different wavelengths this time, says Andrew Clements
Antonio Meneses and Maria João Pires; La traviata – review
Maria João Pires and Antonio Meneses achieve a fine balance, and visceral Verdi hits the spot, writes Fiona Maddocks
Arcanto Quartett – review
On the evidence of this Wigmore recital, the Arcanto Quartett deserve a similarly honoured profile as the Takács and the Kronos, writes Martin Kettle
The Prince Consort – review
This year's instalment of the annual Perth Schubertiade was right to focus on the composer in the context of his contemporaries, predecessors and successors, writes Kate Molleson
Christopher Maltman and Graham Johnson – review
This was a powerhouse recital of Schiller settings by Schubert, Schuman and Liszt from the baritone Christopher Maltman and pianist Graham Johnson, writes Tim Ashley
Schubert: Winterreise – review
The emotional complexity of Schubert's song cycle is beautifully realised by Christopher Maltman and Graham Johnson, writes Fiona Maddocks
Maxim Rysanov: Schubert, Tchaikovsky, Bruch – review
Maxim Rysanov finds imaginative new territory for his warm, lyrical viola, writes Nicholas Kenyon
Scottish Ensemble – review
The Scottish Ensemble's programme was all about homages and featured nimble, tightly sprung and sonorous playing, writes Andrew Clements
Daniel Barenboim – review
Playing Schubert, Barenboim exhibited all his creative personality, but without any Lang Lang theatrics, writes Martin Kettle
Mark Padmore/Paul Lewis – review
The engagement with Schubert song-cycles is of long standing: Padman may utter the words in a way that appears spontaneous, but the psychological insight is piercing, says Rian Evans
Takács Quartet/Cooper/Mitchell – review
Every time one is blown away by the rightness and freshness of everything the Takács Quartet do, writes Guy Dammann
Schubert: Piano Sonatas Nos 4 & 13; Wanderer Fantasy – review
Uzbek-born pianist Eldar Nebolsin all but attacks the piano in these revelatory renderings of Schubert, writes Stephen Pritchard
OAE/Goodman/Pizarro – review
This performance's bustling energy became a tribute to the partnership Charles Mackerras forged with the OAE, writes Rian Evans
Holl/Schiff – review
Robert Holl's rich bass-baritone and András Schiff's mesmerising accompaniments emphasised the song cycle's gathering weight, writes Martin Kettle
Steven Osborne – review
Osborne's playing is so refreshingly mannerism-free but Schubert's sonatas would have been better played separately, writes Andrew Clements