Bridgewater Hall, ManchesterVassily Sinaisky rose heroically to the challenge of maintaining interest in Mahler's colossally inconsistent Third, writes Alfred Hickling
Bridgewater Hall, ManchesterThe opening Mahler in Manchester concert emphasised the in-your-face volatility of his innovative First Symphony, says Tim Ashley
These two performances were taped live in Berlin earlier this year during a series of highly praised concerts. The hype, for once, seems justified. By adopting an unsentimental approach, Claudio Abbado offers radical new insights into Mahler’s Fourth Symphony, opening … Continue reading →