Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Katy Kirby: Blue Raspberry review – depth disguised by breeziness

The Texas singer-songwriter makes up for time lost to her evangelical background with a second album of impeccable craft and lyricism

Torres: What An Enormous Room review – a confident declaration of rock-star ambition

The indie musician flexes the noirish power of her commanding voice on her sixth album, and embraces grand new sonic theatrics

The Smile: Wall of Eyes review – inventive Radiohead side project risks eclipsing the real thing

Despite all the lyrical disquiet, there is a lovely sense of ease to the Smile’s second album – and some of the best music Thom Yorke and Jonny Greenwood have put their names to in at least a decade

The Vaccines: Pick-Up Full of Pink Carnations review – high-octane sonic euphoria

The indie rockers’ sixth album offers more of the same boisterous widescreen anthems and big singable choruses – but with some subtler lyrical depths

Bill Ryder-Jones: Iechyd Da review – Coral co-founder’s songs of heartache and hope

Ryder-Jones’s recent production experience comes to the fore on this wide-reaching album, making use of Motown, 60s pop and a children’s choir to find the light in the darkness

Music: Kitty Empire’s 10 best albums of 2023

It was a year of avant-rap, sex-positive R&B, polyrhythmic jazz and hyper-punk pop – plus Lana Del Rey’s glossy meditations on death and loss

The Charlatans review – 90s faves feel the love in spiritual second home

Tim Burgess plays to a devoted crowd with a high-spirited set that includes fan-favourite album Between 10th and 11th

Raze Regal & White Denim: Raze Regal & White Denim Inc review – a warm, funky psych alliance

The Texas rockers enlist their former tourmates’ guitarist on this slick and soulful meeting of minds

Noah Kahan review – unlikely star leads a cathartic mass singalong

With his raw lyrics about mental health, shame and alcoholism, Kahan taps into the zeitgeist – yet his rousing tunes make this a reaffirming live show

Beirut: Hadsel review – joyously positive healing hymns

The ‘unfathomable beauty’ of a remote Norwegian island has inspired Zach Condon to create a triumphant celebration of life

Marnie Stern: The Comeback Kid review – guitar fireworks full of beauty and chaos

On her first new release in a decade, the idiosyncratic guitarist plucks sweet melodies and complex harmonies from cacophony

Wunderhorse review – a band galloping towards even bigger things

Jacob Slater’s songs ring with compassion for reckless youthful misadventures, getting fans’ hopes high for an as-yet unreleased second album

Billy Bragg: The Roaring Forty review – four decades of flying the flag

Austere, melodic, at times heartbreaking – the music of Britain’s foremost protest singer gets an evocative overview in this nuanced compilation

Mitski review – her dark materials

The Japanese-American auteur explores deals with the devil and future hauntings in an intimate church show that foregrounds her pure vocals

Jamila Woods: Water Made Us review – tracing a relationship’s painful arc

Blending genres restlessly, the Chicago musician and poet examines the sweet and sour of love with unflinching insight

Post navigation

← Older posts
Newer posts →
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

Contact www.freakyparty.net   Terms of Use