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Yard Act review – a band having fun in the midst of an identity crisis

Seeming to play their jagged post-punky early material with some reluctance, the Leeds band strike out into bold new territory with hypnotic electronic grooves, disco stompers – and a Napalm Death collab

Faye Webster: Underdressed at the Symphony review – petal-voiced power

The Atlanta twentysomething’s 70s-tinged alt-country is delicate and eclectic, complete with guest spots from Wilco’s Nels Cline and rapper Lil Yachty

Helado Negro: Phasor review – undimmable warmth

Digital meets analogue on the American musician’s short but sweet latest

NewDad: Madra review – unfiltered songcraft in a dreamy yet spiky debut

From Pixies to Garbage, New Order to Wolf Alice, you can clearly detect the Galway four-piece’s influences – but lyrics about shame and self-doubt make this an affecting album

Future Islands: People Who Aren’t There Anymore review – a brutal, beautiful breakup album

The synthpop quartet’s heart-on-sleeve frontman, Samuel T Herring, is by turns lovelorn and lovestruck on their affecting seventh LP

The Libertines review – raucous return for chaotic indie heroes

Previewing their first new album for nine years to a tiny but thrilled audience, Pete Doherty and Carl Barât’s band continue to stumble around greatness

Katy Kirby: Blue Raspberry review – depth disguised by breeziness

The Texas singer-songwriter makes up for time lost to her evangelical background with a second album of impeccable craft and lyricism

Torres: What An Enormous Room review – a confident declaration of rock-star ambition

The indie musician flexes the noirish power of her commanding voice on her sixth album, and embraces grand new sonic theatrics

The Smile: Wall of Eyes review – inventive Radiohead side project risks eclipsing the real thing

Despite all the lyrical disquiet, there is a lovely sense of ease to the Smile’s second album – and some of the best music Thom Yorke and Jonny Greenwood have put their names to in at least a decade

The Vaccines: Pick-Up Full of Pink Carnations review – high-octane sonic euphoria

The indie rockers’ sixth album offers more of the same boisterous widescreen anthems and big singable choruses – but with some subtler lyrical depths

Bill Ryder-Jones: Iechyd Da review – Coral co-founder’s songs of heartache and hope

Ryder-Jones’s recent production experience comes to the fore on this wide-reaching album, making use of Motown, 60s pop and a children’s choir to find the light in the darkness

Music: Kitty Empire’s 10 best albums of 2023

It was a year of avant-rap, sex-positive R&B, polyrhythmic jazz and hyper-punk pop – plus Lana Del Rey’s glossy meditations on death and loss

The Charlatans review – 90s faves feel the love in spiritual second home

Tim Burgess plays to a devoted crowd with a high-spirited set that includes fan-favourite album Between 10th and 11th

Raze Regal & White Denim: Raze Regal & White Denim Inc review – a warm, funky psych alliance

The Texas rockers enlist their former tourmates’ guitarist on this slick and soulful meeting of minds

Noah Kahan review – unlikely star leads a cathartic mass singalong

With his raw lyrics about mental health, shame and alcoholism, Kahan taps into the zeitgeist – yet his rousing tunes make this a reaffirming live show

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  • Chelsea Wolfe: The Dark review – existential reflection goes from whisper to gothic scream
  • LA Phil/Dudamel; Fantasia Orchestra / Fetherstonhaugh/Glennie reviews – high-contrast programming
  • Juilliard Orch/Royal Academy Symphony Orch / Salonen/Frang review – student players let rip, eventually
  • The Galloping Cure review – powerful new opera tackles the opioid crisis with bite and black comedy
  • Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle
  • The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
  • National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing
  • BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater
  • Nas / The Roots review – NY rap legend is in a nostalgic state of mind
  • Olivia Rodrigo review – crushing riffs and infectious hooks at secret New York show
  • Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince
  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair
  • Flo: Therapy at the Club review – skirting the dancefloor and overly sweating the small stuff
  • Arun Sood and Angeline Morrison: Donn/Dubh review – British folk giants startlingly transform sacred histories
  • Ravyn Lenae: Blue Island review – from Suicide to Squarepusher, grunge to Janet, a pop one-off plots her unique path
  • Phoebe Bridgers: Lost Weekend review – long-awaited return is a thrilling, daring study in dislocation
  • Ring Cycle review – AI staging dispenses with drama to create banal bric-a-brac
  • BBCSO/Järvi/Kavakos review – virtuosic violinist makes fiendishly light work of Tchaikovsky
  • Aurora Orchestra/ Collon review – Freud analyses Mahler to decipher music from the heart
  • Parsifal review – blood, lust and goth energy fuel Wagner’s Grail quest
  • Ariana Grande: Petal review – calm, controlled anger at exes, fans and the media
  • Tao of Glass review – stage magic as McDermott meditates on the minimalist master
  • Arca: XXXXX review – a wild, brilliant album that taps into our bodies’ most feral frequencies
  • Melodies International presents Ariwa Sounds review – head-spinning classics from dub legend Mad Professor
  • John Tilbury: At Home album review – an eclectic and extraordinary treasure trove
  • BBCSSO/Wigglesworth / Booth review – Brett Dean’s song cycle is rich and strange
  • Die Fledermaus review – Strauss staging has flourish and froth, but not enough fizz
  • Shaboozey: The Outlaw Cherie Lee & Other Western Tales review – a striking addition to the rich canon of country concept albums

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