From Pixies to Garbage, New Order to Wolf Alice, you can clearly detect the Galway four-piece’s influences – but lyrics about shame and self-doubt make this an affecting album
Previewing their first new album for nine years to a tiny but thrilled audience, Pete Doherty and Carl Barât’s band continue to stumble around greatness
Despite all the lyrical disquiet, there is a lovely sense of ease to the Smile’s second album – and some of the best music Thom Yorke and Jonny Greenwood have put their names to in at least a decade
Ryder-Jones’s recent production experience comes to the fore on this wide-reaching album, making use of Motown, 60s pop and a children’s choir to find the light in the darkness